Ken Burns’ new film "The Address" debuts Tuesday, April 15, on KLRN. I caught up with Burns to find out what the film was about. While his focus is often on huge subjects, "The Address" is, in a way, about a very small one. Across the Connecticut River from Burns’ New Hampshire home is the tiny Greenwood School in Putney, Vermont.
“It’s a boarding school for kids very young, 11 to 17, who suffer from learning differences like dyslexia, dysgraphia, ADHD, a whole alphabet soup of learning issues,” explained Burns.
The gang’s all here again in “Rio 2,” a bright animated musical that’s sure to please the kids in the audience, and likely to at least hold the interest of the grownups. Jesse Eisenberg is back as the neurotic Blu, a suburban spix’s macaw now living in Rio de Janeiro along with his wife, Jewel (Anne Hathaway), and three kids. When a television report tips Jewel off that their family might not be the only blue spix’s macaws left on earth, the crew flies into the heart of the Amazon to find the rest of their family, and meet up with Blu’s former caretakers Linda and Tulio.
There’s a park in San Antonio that owes its existence to one of the city’s art icons. Being just less than an acre, it’s easy to miss, but I recommend you don’t. To find it go down South Flores to Camp Street, and on the west side of the road, there it is.
"CHRISpark is a privately-funded park that’s open to the public," said Jon Ahrens, the landscape architect who designed CHRISpark.
Rock and classical have been mixing together like peanut butter and chocolate since the 1960s. On one side, there were groups like Electric Light Orchestra, ELP, Gryphon, and Yes adding symphonic elements to rock music, and on the other, composers such as Terry Riley, Philip Glass, Ennio Morricone, and George Crumb borrowed the amplified sounds of rock in works such as “Black Angels” (Crumb), “A Rainbow In Curved Air” (Riley), or pretty much the entire output of Glass’ work in the 1970s.
Phanie Diaz and Jenn Alva, two-thirds of the power-punk alternative trio Girl In A Coma, want to emphasize that their new project, FEA, doesn’t mean the popular San Antonio-based band is breaking up. But with singer (and Phanie's sister) Nina Diaz embarking on a solo record, Alva (bass) and Diaz (drums) felt the time was right to flex their creative muscles.
"There is a way in which the arts serve humanity and are not just entertainment. That seems to be the drift at the moment, that the arts are there to entertain us, but that's not why human beings became dedicated artists. Even if they were driven by individual artistic vision, there's a social impulse behind the desire to create art." Barry Lopez