The American West has always been fertile ground for writers. Now Philipp Meyer steps into that territory with his new novel The Son. It's a family saga that traces the settling of Texas from its days as a wild frontier to the oil boom — with no shortage of violence.
"Texas yesterday is unbelievable, but no more incredible than Texas today," wrote Edna Ferber, author of the iconic Lone Star State novel Giant. She continues, in what's as good a description of America's 28th state as you're likely to encounter, "Today's Texas is exhilarating, exasperating, violent, charming, horrible, delightful, alive." A huge contradiction of a place, Texas is as friendly as it can be frightening, with a history as vast and as variegated as the United States itself.
Curator Emeritus Cecilia Steinfeldt, who served as an iconic and creative influence during her 60-year career, passed away Friday, May 17, in San Antonio.
Steinfeldt, who was born in Wisconsin in 1915, moved to San Antonio in 1923. Her parents enrolled her in art classes at the Witte Memorial Museum in 1925.
She became a young woman during the Great Depression, and after high school took advantage of the Mexican government’s offer of free art supplies and tuition to study art in Mexico City under Carlos Merida.
Wagner's incredible and improbable success is one of the fairytale's of high art. The late Jacques Barzun referred to his position in later life as: "That of a Lord of all the arts."
Randy Anderson has rightly commented on his association with the highest circles of the intellect and art: De Gobineau, Nietzsche, Semper, Meyerbeer, Berlioz and later Liszt, as Wagner would wed Cosima, the pianist's daughter.
The Opera San Antonio (TOSA) presents a "Gala Concert of Stars" at the Majestic Theater this Thursday, May 23 at 7 p.m. These stars include Patricia Racette, Jay Hunter Morris, Dolora Zajick, Daniela Mack, Alek Shrader, Lucas Meacham, and Eric Owens.
TOSA announced Lisette Oropesa is replacing Susannah Biller, who was unavailable due to a schedule conflict.
Underneath heavily-traveled Interstate 35 at Theo and Malone, in an unexpected place for art, six spherical chandeliers bathe the ground, concrete columns and underside of the bridge with rich, vibrant color and transform an otherwise industrial thoroughfare into an enjoyable space for pedestrians and drivers.
Ballroom Luminoso is the first public art project to be completed under the new bond program approved by voters in 2012.