Strings and Songs and Solidarity! - a concert featuring compositions by Darian Thomas, will be performed by high school and college musicians this weekend at the Carver Community Cultural Center. Thomas hopes you'll "support the contemporary classical music scene of San Antonio, and enjoy the vibrant sounds of youth coming together for a common goal!"
Here is a great example of Darian's artistry, a performance from last May with the Youth Orchestras of San Antonio's Philharmonic Orchestra and Troy Peters:
Three young people's concerts are free and open to the public on Wednesday, Thursday, and Sunday afternoons. The musicians of the Young Artists Program, led by Craig Sorgi, play on these concerts. They will also perform Sergei Prokofiev's Overture on Hebrew Themes on the festival finale Sunday evening.
Long, long before it was a bumpy night for the guests of Margo Channing (“All About Eve”), and even before “Now, Voyager,” Bette Davis appeared in dozens of films as a rising actress. Two of her early films, “Hell’s House” and “Of Human Bondage,” are newly available on Blu-ray from Kino Lorber, in what is touted as an “archival restoration.”
The seventeenth season of the Cactus Pear Music Festival gets underway Wednesday afternoon in Boerne with a children's concert. The theme this year is "Dreams & Prayers."
"When my trio was putting together the Jalbert [Piano Trio], I kept thinking of the Messiaen [Quartet for the End of Time] - we worked on it two years ago - so it's interesting that somehow I put the two pieces together. They make great bookends to the "Into the Mystic" program!" says Stephanie Sant'Ambrogio.
Mozart's The Magic Flute, the last opera he lived to complete, has some of his most sublime and sublimely comic music. Technically, it's more of a musical comedy, what in German is called a Singspiel, a play with songs and spoken dialogue. I was excited to learn that it was filmed by Kenneth Branagh, whose Shakespeare movies I really admire. Mozart's mixture of fairy tale and high morality presents a great opportunity for a filmmaker; in 1975, Ingmar Bergman released a version for Swedish television that has become a beloved classic.