I couldn’t have timed better the decision to replay my all time favorite Masterpiece Theatre Classic, "The Forsyte Saga," than the week the Metropolitan would broadcast its "Carmen." I had never really considered the fact that the two works and their heroine’s were so close; more sisters than cousins.
San Antonio's vocal chamber group the Copperleaf Quintet, has an afternoon of music for Lent planned this weekend. On the program are works by Francisco Guerrero and Tomas Luis de Victoria.
"His [de Victoria's] lines are just so exquisite, and when they are so exposed by just having one person on a part singing them, it's just a wonderful thing to hear!" said Ruth Moreland, the director and soprano for the group.
“We try to give them examples of good practice, inspirational players, and good modeling.” Mark Burke, speaking of the intention behind Charanga Music World, a cloud-based learning tool for young musicians.
Leonard Bernstein wrote only one original film score in his career, for Elia Kazan’s classic film, “On the Waterfront,” starring Marlon Brando as Terry Malloy, a troubled longshoreman and one-time contender who’s gotten mixed up with the wrong crowd. Like Brando’s character, Bernstein’s score is a mixture of tenderness, violence, and nobility.
It’s really a shame that any review of “On the Waterfront” is colored by Elia Kazan’s infamous friendly testimony before the House Un-American Activities Committee. By some accounts, including Kazan’s own on occasion, “On the Waterfront” was the director’s defiant gesture toward his critics. Now sixty years later, can it stand outside the controversy? I believe it can, as it’s a great film and an American classic. As brilliantly played by Marlon Brando, Terry Malloy stands up for what is right, not what his so-called friends would muscle him into doing. It’s as American as “Mr.
Toyko, Japan's Shugo Tokumaru is a rapidly rising star in his own country, and with his anticipated showcase at South By Southwest (SXSW) next month, perhaps worldwide. Tokumaru started playing the piano at age five, and has been immersed in the music world since then. His ardent fans await his releases with unbridled enthusiasm.
Violinist Joshua Bell has followed the lead of symphony orchestra conductors since he turned 7 and made his orchestra debut. But now he's the one waving the baton — or at least waving his violin bow. Bell recently took over the music directorship of the venerable Academy of St. Martin in the Fields.
This weekend the San Antonio Symphony completed their Brahms Festival and sent out their next season to subscribers. Today they publicly announced the lineup that includes superstar violinist Joshua Bell, local favorites The Children's Chorus of San Antonio, and a Dvorak Festival.