The showbiz trade Variety recently polled 40 composers active in the movie industry, asking for their top three film scores of all time. John Williams came out on top with the most mentions, while Ennio Morricone's score for "The Mission" was ranked as Best Score overall. Read the entire article after the jump.
Ennio Morricone's original music for Roland Joffe's 1986 film "The Mission" landed on top of a Variety poll of 40 active composers who were asked to name their top three original movie scores of all time in order of preference.
Tonight, the U.S. Poet Laureate is the featured speaker at UTSA’s Creative Writing Series; Natasha Trethewey is expected to read from her Pulitzer Prize-winning poetry collection.
Trethewey was serving as the poet laureate for the State of Mississippi when she was selected as the 19th poet laureate of the United States in June. Her first poems, titled, “Domestic Work,” won the inaugural 1995 Cave Canem poetry prize. Her third collection, "Native Guard,” was awarded the 2007 Pulitzer Prize.
Marguerite McCormick leads the Children's Chorus of San Antonio
It's an evening of seasonal music by candlelight presented by the "elite choirs": the Chamber Choir and Youth Chorale. This year CCSA brightens Laurel Heights United Methodist Church with their music!
"This is always a very special concert because we can do more with programming, we can feature more groups within the choruses because these youngsters are the elite, the advanced groups," says Marguerite.
Friday night sees four new works by Darian Thomas at the Radius Center in San Antonio.
It will include "Rant" - for solo viola with Jill Van Gee; "St. Anthony's Trio" - For string trio with Thomas, Darryl Tolliver, and Luke Bonecutter; "Juli-o" - For solo cello and rapper, featuring Luke Bonecutter and Derwin Mello Pokell Bios; and "The British Quartet."
Richard Wagner’s Parsifal, his final opera, was created in parallel with his greatest creations including The Ring and Tristan. Beginning in the 1850’s, its prose and poetry was returned to over and over again in first and second drafts, and was finally orchestrated and presented in 1882; it occupied over a quarter century in Wagner’s creative life. The work was scored with the acoustics of the newly built Bayreuth in mind and has one of the oddest operatic history’s imaginable.
These days it's not unusual to find classical musicians performing in unlikely venues — pubs, clubs and out-of-the-way places. But long before this trend took hold there was Matt Haimovitz. Ten years ago, the intrepid cellist lugged his instrument across the country, bringing music by J.S. Bach to barrooms, coffeehouses and even Manhattan's famous punk club CBGB.
It has been three years since the San Antonio Mastersingers performed Sing for the Cure, a work created by Pamela Martin and Brant Adams. Director John Silantien says "every time you look at it [Sing for the Cure], you can see something different, and it touches everybody! I mean it is just so powerful in its reach, and this topic of breast cancer, it seems like it is in everyone's life."
Donations are being accepted by the choral group, as well as "pink notes" that will be displayed at the concert.