Alfred Hitchock was one of the greatest filmmakers of the 20th century, but he also had a dark side. A deeper reading of his films reveals some of Hitch’s hidden obsessions, including: murder, sex, and love. Throughout his career, Hitchcock was aided by the unseen hand of his wife, Alma Reville, who often served as the director’s sounding board and sometime editor.
Franz Schubert, incredibly talented and poor as a church mouse, wanted the chance to make a decent living from his music, and finally, near the end of his life, he got publishers interested. The down side was that his works were to be dictated by what would sell, and Schubert found his outlets wanted simple music that would sell rather than the big Sonata's that he was interested in.
A five-ton 48-foot purple steel beam spotted with signatures and adorned with the Texas and U.S. flags now sits on top of the Tobin Center. Bruce Bugg, chair of the Bexar County Performing Arts Center Foundation said the topping of the structure is the end of one phase of the reconstruction.
Already in their third season, Musica Sacra SA will perform Sunday afternoon at 4 p.m. at Our Lady of Atonement. The program follows the Second Sunday of Advent - both musically and literally.
Robert Finster says there are familiar composers and one you might not know. "David Briggs is a great improviser for the organ, and has transcribed all of the Gigout solos! He works in London at a church, plus he composes very original pieces. I first heard of him on your radio station [KPAC] with Heart and Voice!"
Few, if any, operas can bear comparison with the gestation, preparation and final execution of Giuseppe Verdi’s "Un Ballo in Maschera." It is the work that definitively closes his middle period; preceded by "Traviata,""Rigoletto," and "Il Trovatore" and followed by his supreme masterworks "Don Carlo," "Aida," "Otello" and "Falstaff."
As of this year, the vocal group Anonymous 4 has been introducing modern audiences to medieval music for a quarter century. When the all-female quartet asked David Lang to help mark the occasion by writing them some music, he didn't need any convincing. The Pulitzer Prize-winning composer was already a big fan.
Leo Tolstoy’s novel “Anna Karenina” continues to be a source of inspiration for filmmakers, having been adapted over a dozen times in different forms by directors all over the world. Joe Wright’s feature film boldly breaks from tradition, confining most of the plot on a single soundstage.