The Children's Chorus of San Antonio performs at Concordia Lutheran Church
It's a new location for Winter Magic with the Children's Chorus of San Antonio! "Our numbers have grown this year which is absolutely wonderful, but we needed a larger space," says Marguerite McCormick.
"We combine the choirs in a couple of different ways - sometimes two or three of the training choirs will sing together, sometimes the advanced choirs will sing together, and then we do feature all seven choirs; all 250 plus children in this concert!"
The Grammys are important even if they relegate most of the classical awards to the afternoon well before the television cameras begins to roll, and it's much the same at the Latin Grammys, except more intimate, according to recording editor and mastering engineer Paul Blakemore.
This country is always in motion, or as one shipping company calls it "moving at the speed of business." Before the question of slavery became a civil war, American's enjoyed their minstrel shows, and after the conflagration, touring minstrel shows were once again one of this country's favorite pastimes.
This Sunday on "The Piano," music that has many fathers, music that comes together, ferments a bit and becomes something new - different and distinctly American.
Missy Mazzoli, a 32-year-old composer from Brooklyn, says she never wanted to write an opera until she read the journals of Isabelle Eberhardt, a Swiss adventurer from the turn of the 20th century. Oddly enough, Mazzoli first learned about Eberhardt while listening to NPR. Years later, she stumbled upon the explorer's journals in a bookstore.
Steven Spielberg and composer John Williams’s long and fruitful collaboration continues with “Lincoln.” The prolific Williams draws upon folk styles to create an impression of America’s 16th president.
Composer Max Richter has done a brave thing for any artist in any medium: He's messed with a classic, specifically, Vivaldi's four violin concertos known as The Four Seasons. He has a new album simply titled Recomposed by Max Richter: Vivaldi, The Four Seasons.
Richter says that as a child, he loved The Four Seasons. But as he grew older, that passion faded.
Akiko Fujimoto is the assistant director of the San Antonio Symphony and her duties include giving pre-concert talks, knowing the repertory just in case (called cover conductor), conducting educational and pops concerts, and this year leading a new series of baroque concerts with musicians of the San Antonio Symphony. All of that happens to overlap this week with performances of the Nutcracker.