Austin-based directors Nathan and David Zellner's dark fable, "Kid-Thing," screens at South By Southwest after playing the Sundance Film Festival earlier this year. In the film, young Annie (Sydney Aguirre) roams the countryside of East Texas aimlessly, casually shoplifting, throwing objects at passing cars, and enjoying her freedom, while her father lays about on the couch.
Following their acclaimed documentary "45635," Bill and Turner Ross headed south to New Orleans, filming the city almost exclusively at night. "Tchoupitoulas" follows three brothers as they experience what Turner Ross calls a "surreal Pleasure Island."
In "Heimkommen (Coming Home)," a young girl and her brother both deal with the loss of a loved one in very different ways. The film was shot in Germany, where director Micah Magee has been based for the past ten years.
Senior Maqui Gaona is enrolled in the Digital Video program at St. Mary’s Hall. Her film “Burn Spark” will screen as part of the Texas High School Shorts program at SXSW this week. The short film is set in a world where people are programmed to fall in love with only one other person.
“I kind of got the idea from lots of different interpretations of what it means to instantly connect with someone,” she says.
Renee Fleming - the beautiful voice - sings this Wednesday in San Antonio, kicking off a tour across the western United States and Canada. It will feature some selections from her brand new album, “Poèmes,” on Decca.
Among Alfred Hitchcock’s many great films, “Notorious” is one of his best, and yet I somehow get the feeling that it’s overshadowed by its more famous cousins from the 1950s and 1960s, such as “Psycho” or “The Birds.” Released in 1946, and starring Cary Grant, Ingrid Bergman, and Claude Rains, the film utilizes brilliant camerawork, unconventional characters, and an excellent script to deliver a nail-biting thriller that leads up to a doozy of a final scene.
If you collect DVDs, you probably come across titles that are no longer in print. Netflix won’t rent these, and looking for them online can give you a case of sticker shock--prices can be 8 to 10 times what they cost new. The problem is money: studios gear up for production, and to recoup their investment they have to sell lots of units of a popular film to make a profit. This means that titles with limited commercial value usually don’t reach the market.
Steven Spielberg has asked John Williams to score almost every single movie he’s ever directed since “Jaws,” which won Mr. Williams his second Oscar, and his first for Best Original Score. It’s a working relationship that has lasted nearly 40 years, and given us some of the most memorable melodies of our time.