An interview with combat veteran Chris Hernandez of San Antonio, who talks about how writing has helped him sort through his experiences at war. ICE has released hundreds of immigrants in recent days, immigrants who are now making their way back home. Stores that cater to the growing minority groups are doing well as the country’s demographics continue to change. We look at the secrets of one highly successful, family-owned supermarket chain.
Richard Wagner’s "Parsifal," his final opera, was created in parallel with his greatest creations including "The Ring" and "Tristan." It took him just over 30 years and several revisions before it was finally presented in 1882.
It is viewed as his most refined and elaborate work and it at times leaves people feeling that it is too profound to even applaud. In a comic twist, this bothered the composer; when Wagner would applaud a certain scene he would be hushed by members of the audience.
The San Antonio Express-News will be adopting a paywall for online content by the end of the Summer.
Newspapers across the nation have been looking for ways to convince their readers to pay for looking at their journalism online. After years of providing their content free online, San Antonio's Express-News is about to take the next step, a step that comes along with several other changes at the paper.
The closed section of the Riverwalk on Museum Reach has been re-opened to the public. When the F.I.S.H. art installation was damaged in Monday’s windstorms, the San Antonio River Authority had to close the section of trails under the I-35 overpass.
On Tuesday crews cleaned up fallen debris from the broken F.I.S.H. and partially re-opening of one side of the river.
Wednesday, SARA re-opened the east bank of the River, noting that it may have to be closed again temporarily when repairs get underway.
Mission San Juan Capistrano has had restoration work done numerous times over the years to keep it from collapse, and the tiny colonial church re-opened this week to its first mass since the extensive renovation started almost two years ago.
It was a big undertaking -- more work needed to be done than with any of the other mission restorations -- but San Juan was about to collapse. Its buttresses struggled to restrain the cracking walls, and the ground was giving way.
I first heard Van Cliburn live in 1969. He played a concert at Austin's Municipal Auditorium, a barn of a place, to a sold-out audience. I was, in the vernacular of the time, blown away.
As soon as the concert was over, I rushed down from my balcony seat to wait in the long line of well wishers for my opportunity to have my program autographed. By this time, Mr. Cliburn had actually come down into the audience. He was, in a sense, a man of the people.