Bob Mondello

Bob Mondello, who jokes that he was a jinx at the beginning of his critical career, "hired to write for every small paper in Washington, D.C., just as it was about to fold," saw that jink broken in 1984, when he came to NPR.

For more than a quarter-century, Mondello has reviewed movies and covered the arts for NPR News, seeing at least 250 films and 100 plays annually, then sharing critiques and commentaries about the most intriguing on NPR's award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR's eight-part series "American Stages," exploring the history, reach, and accomplishments of the regional theater movement.

Mondello has also written about the arts for such diverse publications as USA Today, The Washington Post, and Preservation Magazine, as well as for commercial and public television stations. And he has been a lead theater critic for Washington City Paper, D.C.'s leading alternative weekly, since 1987.

Before becoming a professional critic, Mondello spent more than a decade in entertainment advertising, working in public relations for a chain of movie theaters, where he learned the ins and outs of the film industry, and for an independent repertory theater, where he reveled in film history.

Asked what NPR pieces he's proudest of, he points to commentaries on silent films – a bit of a trick on radio – and cultural features he's produced from Argentina, where he and his partner have a second home. An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year," he says. "As most people see in a lifetime."

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Movie Reviews
1:08 pm
Fri October 4, 2013

The Inexorable Pull Of Cuaron's 'Gravity'

Bullock's mission scientist is a dubiously confident space traveler even before she's sent reeling toward the abyss by debris from an orbital mishap.
Warner Bros.

Originally published on Fri October 4, 2013 2:31 pm

Doctoral theses will be penned on the breath-catchingly realistic, gorgeously choreographed, entirely mesmerizing opening that director Alfonso Cuaron has conjured for Gravity — both how the scene was managed and how it works on a viewer's psyche.

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Monkey See
8:38 am
Tue September 3, 2013

Falling For Autumn Movies

Sandra Bullock winds up adrift in Alfonso Cuaron's Gravity.
Warner Brothers Pictures

Originally published on Tue September 3, 2013 7:37 am

If you just look at the box office grosses, rather than the bottom line, you'd swear Hollywood was closing the books this weekend on a sensational summer — more than $4.5 billion in the till, a couple of hundred million dollars higher than any summer on record.

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Arts & Life
3:31 pm
Wed August 7, 2013

Libraries' Leading Roles: On Stage, On Screen And In Song

Poor Donna Reed: Her Mary would have ended up working in a library — shudder — if not for the matrimonial intervention of Jimmy Stewart's George Bailey. Happily, 1946's It's a Wonderful Life isn't the only lens through which pop culture assesses the worth of the institution and those who make it tick.
RKO Pictures Getty Images

Originally published on Thu August 8, 2013 3:04 pm

When I was 9, I spent a lot of time at a public library just down the street; I was already a theater nerd, and it had a well-stocked theater section. Not just books, but original cast albums for Broadway shows old and new. One day, an addition: The Music Man, about a salesman who was crazy about a girl named, as one song put it, "Marrrrrrrion, madam librarian."

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Monkey See
5:16 pm
Tue July 23, 2013

90 Years Later, 'Safety' Still The Last Word With Harold Lloyd

Harold Lloyd (left) is the All-American Boy, a striver who'll brave nearly anything to get to the top and win The Girl. Noah Young is The Law (center) and Bill Strother is The Pal.
Criterion Collection

Originally published on Tue July 23, 2013 6:16 pm

There may be no film image more iconic: Harold Lloyd, high above the street, dangling from the minute hand of a giant department-store clock.

The face of the clock swings down; the minute hand bends. It's been 90 years since the silent era's greatest daredevil shot that sequence, and it still has the power to prompt shrieks and laughter.

Lloyd's character was the All-American Boy, innocent in his horn-rimmed glasses, eager to climb the ladder of success — and like many a social striver before him, he was plagued by anxiety that he'd fall before he got to the top.

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Book Reviews
3:38 pm
Sat July 20, 2013

You'll Want To Hang Up On These 'Secret Conversations'

Originally published on Sat July 20, 2013 4:34 pm

A country girl from Grabtown, N.C., Ava Gardner arrived in Hollywood in 1941 knowing she couldn't act but, gorgeous as she was, she never had to let that slow her down. Her beauty — which reportedly intimidated Elizabeth Taylor — won her not just film roles and studio-paid acting lessons, but the attentions of all-American boy Mickey Rooney, whom she married and divorced before she turned 21. She had a similarly brief union with bandleader Artie Shaw — she called those two her "starter husbands" — before a tempestuous, headline-making marriage to Frank Sinatra.

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Arts & Life
5:14 pm
Wed July 17, 2013

For Actress Ruby Keeler, Another Opening, Another Show

Broadway performer Ruby Keeler was a source of optimism for many during the Depression era, and nostalgia hit audiences hard when she returned to the stage decades later.
General Photographic Agency Getty Images

Originally published on Wed July 17, 2013 6:11 pm

Ruby Keeler was an unknown actress when she starred in the 1933 production of Busby Berkeley's 42nd Street.

But the movie was so popular she was able to land two more splashy musicals that same year — and seven more by the end of the decade. There was nothing extraordinary about her talents as a vocalist or as an actress, but audiences of the Depression era really bought into Keeler's "innocent" onstage persona. In fact, they craved it.

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The Salt
4:21 pm
Mon July 15, 2013

In Argentina, Coca-Cola Tests Market For 'Green' Coke

Coca-Cola Life, a new product being rolled out in Argentina with a green label, is being marketed as a "natural" and therefore lower-calorie cola.
Coca-Cola

Originally published on Mon July 15, 2013 5:40 pm

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Movie Reviews
2:12 pm
Sat July 13, 2013

A Kindergarten, A Story And A Life In Shambles

Mads Mikkelsen's Lukas is a recently divorced kindergarten teacher whose life is turned upside down when officials leap to conclusions after a 5-year-old says something that suggests improper conduct.
Magnolia

Originally published on Sat July 13, 2013 5:39 pm

Lukas works in a Danish kindergarten, and it's clear he's in the right place: When the kids look at him, they see a great big toy.

That's especially true for 5-year-old Klara, the lonely daughter of Lukas' best friend, Theo. Klara's folks fight a lot, and her teenage brother is too busy looking at dirty pictures with his buddies to pay her much attention.

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Movie Reviews
10:13 am
Tue July 2, 2013

A Familiar Wild West, But The Guy In The Mask? Who's He?

There's a backstory for just about everything in Gore Verbinski's The Lone Ranger, including what drives the title character (Armie Hammer) to don the mask — and what's up with that dead crow Tonto (Johnny Depp) wears on his head.
Peter Mountain Walt Disney Pictures

Originally published on Wed July 3, 2013 6:25 pm

There's never been anything very lone about the Lone Ranger. He's always been accompanied by Tonto, his Native American sidekick; Silver his snow-white steed; and the William Tell Overture.

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Arts & Life
1:54 pm
Fri June 28, 2013

Bullock And McCarthy, Packing 'Heat' (And Laughs) In Boston

'Heat' Stroke: The genius of this buddy-cop comedy is in its pairing of Sandra Bullock (left, as a by-the-book process nerd of an FBI suit) with Melissa McCarthy, who plays a sloppy Boston detective with no patience for procedure.
Gemma La Mana Fox

Originally published on Fri June 28, 2013 8:22 pm

Summer movies, as you may have noticed, are overwhelmingly male-dominated. But this summer, there's an exception: The Heat, a buddy cop flick with a distaff difference.

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