Ella Taylor

Ella Taylor is a freelance film critic, book reviewer and feature writer living in Los Angeles.

Born in Israel and raised in London, Taylor taught media studies at the University of Washington in Seattle; her book Prime Time Families: Television Culture in Post-War America was published by the University of California Press.

Taylor has written for Village Voice Media, the LA Weekly, The New York Times, Elle magazine and other publications, and was a regular contributor to KPCC-Los Angeles' weekly film-review show FilmWeek.

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Movie Reviews
9:43 pm
Thu November 13, 2014

In 'The Homesman,' A Most Unromantic American West

Hilary Swank and Tommy Lee Jones in The Homesman.
Dawn Jones Roadside Attractions

Originally published on Thu November 13, 2014 4:03 pm

Hilary Swank is a real looker in ways that tend not to get her cast in what the industry is pleased to call "women's pictures." She has seized the day to snag all manner of bracingly offbeat roles, the latest being Mary Bee Cuddy, a bonneted Nebraska frontierswoman in The Homesman who keeps repeating that she's "plain as an old tin pail," a slur thrown her way by a heedless neighbor. No one wants to marry Mary, even though she's smart, resourceful, cultivated and — like many who have suffered hurt early and often — endlessly kind.

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Movie Reviews
5:36 pm
Thu October 2, 2014

Good-Hearted But Simplistic, 'The Good Lie' Fails To Satisfy

Originally published on Thu October 2, 2014 4:03 pm

I feel like a churl for voicing qualms about The Good Lie, a big, eager puppy of an issue movie that plants its paws on your chest and licks away at your cheek in eager expectation of praise. The story it tells, about a group of Sudanese refugees who, after a grinding journey to escape endless civil war at home, find refuge in Kansas, can't help but grab our sympathies. But this fact-based movie smothers an epic humanitarian crisis in a gooey parable of American largesse administered by Reese Witherspoon, serious brunette.

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Movie Reviews
9:21 am
Fri May 30, 2014

'Maleficent' Tells The Fairy Tale From The Wicked One's Perspective

Maleficent rehabilitates the most maligned figure in the fairy tale canon.
Frank Connor Disney

Originally published on Fri May 30, 2014 1:00 pm

Of all Disney heroines, Aurora, aka Sleeping Beauty, was the least inspiring. Not her fault: How much spark can you wring from a Forever Nap, especially one that's cut off by a kiss from a prince named after the Duke of Edinburgh?

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Movie Reviews
5:52 pm
Thu March 27, 2014

'Vivian Maier' Brings Nanny-Photographer's Life Into Focus

In their new documentary Finding Vivian Maier, John Maloof and Charlie Siskel profile a reclusive photographer and her undiscovered photo archive.
Vivian Maier Courtesy of IFC Films

Originally published on Fri March 28, 2014 10:53 am

Is an artist's life relevant to her reputation as an artist? Not so much, perhaps, but many of us want the bio anyway, especially when the artist in question is as tantalizingly elusive as Vivian Maier (or Mayer, or Meyer, as she variously spelled it to confound the curious), a reclusive Chicago nanny whose posthumously discovered trove of street photographs swelled into a cause celebre after her death in 2009.

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Movie Reviews
7:37 pm
Thu January 23, 2014

Moving Through Middle Age, With A Song In Her Heart

Paulina Garcia was awarded the Silver Bear for Best Actress at last year's Berlin International Film Festival for her role in Gloria.
Courtesy of Roadside Attractions

Originally published on Fri January 24, 2014 1:38 pm

The Chilean matron at the heart of the wonderfully unsettling comedy Gloria looks like any ordinary woman confronting the familiar dilemmas of late middle age. For other reasons, though, you may feel as though you've met her before.

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Movie Reviews
4:54 pm
Thu December 12, 2013

Making 'Mary Poppins,' With More Than A Spoonful Of Sugar

Saving Mr. Banks chronicles Walt Disney's (Tom Hanks) long campaign to persuade Mary Poppins author P.L. Travers (Emma Thompson) to allow his movie-musical adaptation of her books.
Francois Duhamel Walt Disney Pictures

Originally published on Fri December 13, 2013 2:42 pm

"We tell ourselves stories in order to live."

That endlessly quoted line from Joan Didion's The White Album echoes with more than the usual resonance for the two adversaries duking it out for control over the movie adaptation of Mary Poppins in Saving Mr. Banks.

For 20 years Walt Disney, reportedly on his young daughters' say-so, had tried to wrestle a green light from P. L. Travers, who wrote the original novels about the discipline-minded governess who flew in through a London window to save a troubled family from itself.

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Movie Reviews
4:26 pm
Thu November 7, 2013

One Big Lie, And All Of Lance Armstrong's Others

Alex Gibney's documentary started as a flattering profile of competitive cyclist Lance Armstrong, but all that changed after Armstrong admitted to years of doping — and lying to everyone about it.
Frank Marshall Sony Pictures Classics

Originally published on Thu November 7, 2013 4:03 pm

"I didn't live a lot of lies. But I did live one big one. It's different, I guess. Maybe not."

So said disgraced cyclist Lance Armstrong to filmmaker Alex Gibney early this year, just hours after he confessed to Oprah that he'd doped during his seven wins of the Tour de France.

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Movie Reviews
11:04 am
Fri October 18, 2013

In 'All Is Lost,' Plenty To Be Found

Robert Redford plays the sole character in All Is Lost; a man who is stranded at sea, on a badly damaged boat — and completely on his own.
Daniel Daza Roadside Attractions/Lionsgate

Originally published on Fri October 18, 2013 2:40 pm

Other than a single shouted expletive toward the end of All Is Lost, the only words we hear from its central character — a sailor adrift alone on the Indian Ocean — come right at the beginning, in a note of apology to unknown recipients for unspecified sins.

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Movie Reviews
9:54 pm
Thu October 10, 2013

An 'Escape' Into Something Decidedly Un-Disneyfied

Isabelle (Annet Mahendru, left) and Sophie (Danielle Safady) are the young Frenchwomen who thoroughly distract Jim from his wife and children.
Mankurt Media

Originally published on Fri October 11, 2013 1:43 pm

Escape From Tomorrow, a dystopian fantasy about a laid-off worker on the lam at Disney World, comes bloated with marketing bluster: The movie, as its PR people have been trumpeting for months, was shot guerrilla-style at Disney parks in Anaheim and Orlando.

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Movie Reviews
9:33 am
Fri September 20, 2013

'Enough,' Almost, But At Least There's Gandolfini

After James Gandolfini's death this past June, the actor's turn in Enough Said, where he stars opposite Julia Louis-Dreyfus as a man looking for a second chance at love, has taken on a tinge of the bittersweet.
Lacey Terrell Fox Searchlight

Originally published on Thu September 19, 2013 4:40 pm

It was writer-director Nicole Holofcener's good fortune, and her bad luck, to have snagged James Gandolfini for Enough Said, her comedy about two imminent empty-nesters dipping their toes into fresh romantic waters. Given his untimely death, the film is likely to be remembered less for its own modest virtues than as a last chance to say a bittersweet farewell to its star.

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