Jewly Hight

This was the year that all discussion of Guy Clark, standard-bearer of narrative-unfurling Texas songwriting, slipped from present tense into past. After his death in May came innumerable published remembrances, a sold-out tribute show at Nashville's Ryman Auditorium featuring the cream of the writerly Americana crop and a meticulously researched biography, Without Getting Killed Or Caught: The Life And Music Of Guy Clark, all of it celebrating the singular sturdiness of his canon.

Note: NPR's First Listen audio comes down after the album is released.

There's a certain sort of vacancy to many holiday songs, their picturesque settings and sentiments functioning a bit like portrait studio backdrops, ready and waiting for somebody, anybody to walk into the frame and momentarily own and animate it with their presence.