Jewly Hight

Few periods of country music history have received more popular attention (or rock press) than the outlaw movement. Decades later, its towering personas — Willie and Waylon chief among them — remain a subject of fascination, immortalized as leathery, long-haired stoners and speed freaks who operated entirely outside the law of the country music establishment. By the time the movement had run its course, it had become a marketing tool for the industry.

It's not surprising when contemporary artists invoke Loretta Lynn as a template. But country icon's younger sister, the urbane country-pop balladeer Crystal Gayle, is a far less likely reference, particularly for an artist like Kelly Willis.

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