Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

We often think of marketing as being about either awareness or persuasion. It seems impossible that Star Wars: The Force Awakens (which opens December 18) needs either one, given its astronomically high profile and the fact that curiosity alone will drive plenty of ticket sales, even for those who will take pleasure in being recreationally disappointed.

The hard numbers on Sunday night's Primetime Emmy Awards told a story that could look a little dull to the glancing eye.

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Transcript

AUDIE CORNISH, HOST:

This is one in a series of essays running this week and next about the state of television in 2015. The series is based on developments at the recent Television Critics Association press tour in Beverly Hills, Calif., where broadcast and cable networks, along with streaming services like Netflix, presented new and existing shows to TV critics and reporters.

Pinpointing the most important conversation in Magic Mike XXL is, admittedly, a little like pinpointing the most important zoological computer model in Jurassic World, but let's do it anyway.

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