Stephen Thompson

Stephen Thompson is an editor and reviewer for NPR Music, where he writes the advice column The Good Listener, fusses over the placement of commas and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the weekly NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk.

In 1993, Thompson founded The Onion's entertainment section, The A.V. Club, which he edited until December 2004. In the years since, he has provided music-themed commentaries for the NPR programs Weekend Edition Sunday, All Things Considered and Morning Edition, on which he earned the distinction of becoming the first member of the NPR Music staff ever to sing on an NPR newsmagazine. (Later, the magic of AutoTune transformed him from a 12th-rate David Archuleta into a fourth-rate Cher.) Thompson's entertainment writing has also run in Paste magazine, The Washington Post and The London Guardian.

During his tenure at The Onion, Thompson edited the 2002 book The Tenacity Of The Cockroach: Conversations With Entertainment's Most Enduring Outsiders (Crown) and copy-edited six best-selling comedy books. While there, he also coached The Onion's softball team to a sizzling 21-42 record, and was once outscored 72-0 in a span of 10 innings. Later in life, Thompson redeemed himself by teaming up with the small gaggle of fleet-footed twentysomethings who won the 2008 NPR Relay Race, a triumph he documents in a hard-hitting essay for the book This Is NPR: The First Forty Years (Chronicle).

A 1994 graduate of the University of Wisconsin, Thompson now lives in Silver Spring, Md., with his two children, his girlfriend, their four cats and a room full of vintage arcade machines. His hobbies include watching reality television without shame, eating Pringles until his hand has involuntarily twisted itself into a gnarled claw, using the size of his Twitter following to assess his self-worth, touting the immutable moral superiority of the Green Bay Packers and maintaining a fierce rivalry with all Midwestern states other than Wisconsin.

In honor of MTV's 35th birthday Monday, the network has launched MTV Classic, a new channel featuring programming from the '90s and '00s. On the same day, we also wish a happy birthday to NPR Music and Pop Culture Happy Hour's Stephen Thompson, who celebrates with an interview on All Things Considered about how MTV Classic is redefining which popular culture fits into the current environment for nostalgia.

Every year, the SXSW Music Festival features thousands of artists from around the world. And every year, The Austin 100 winnows them down to an even hundred discoveries and highlights across genres. Each song on the list is streamable through NPR Music's gorgeous Austin 100 app until March 31, 2017.

Every year around this time, many of us on the All Songs Considered team — including Bob Boilen, Robin Hilton, Ann Powers and me — each dredge through nearly 2,000 MP3s by bands playing the SXSW Music Festival in Austin, Texas. And every year, we wind up missing something. In pursuit of music by thousands of bands, hundreds slip past our radar altogether.


Given the timing of Kacey Musgraves' appearance in the NPR offices — the Supreme Court had legalized gay marriage across America mere hours earlier — it was inevitable that the singer would trot out "Follow Your Arrow," the most anthemic go-your-own-way jam on Musgraves' 2013 debut album, Same Trailer Different Park. In fact, NPR Music has already published her performance of that song, which closes this Tiny Desk Concert.

K. Ishibashi opens his second solo album, Lighght, by taking a tone-setting 48-second violin solo. Titled "Début - Impromptu," it skids and squeaks with accelerating abandon until the notes distort and smash together chaotically; by the end, the instrument has become largely indistinguishable from the machines he so often uses to loop and manipulate it. It's equal parts introduction and mission statement for Lighght, in which technique and experimentation collide in high-spirited, even disorienting ways.