Tom Cole

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(SOUNDBITE OF JOHN ABERCROMBIE'S "BACKWARD GLANCE")

ARI SHAPIRO, HOST:

Thirty years ago this week, an unknown filmmaker walked into a club in Washington, D.C., with a videotape in his hand. It was one of those nights when anyone could screen their work ... but this was the first public screening of a short documentary that's gone on to become the very definition of a cult classic.

Derek Gripper was a musician with a problem. He'd been playing classical music since he was 6 years old — violin, then piano and finally guitar. He was poised for an international career as a classical guitarist. But he remembers going to the homeland of one of his favorite composers, Johann Sebastian Bach.

"It felt kind of strange," he says. "It felt strange to be in Germany playing Bach to them."

Jean-Baptiste "Toots" Thielemans, the Belgian-American musician who cut a singular path as a jazz harmonica player, died in his sleep Monday in his hometown of Brussels. He was 94.

Watching a Terence Davies film is like watching paintings come to life. On the other hand, the filmmaker jokes, "The people who don't like my films say it's about as interesting as paint drying."

Still, Davies (pronounced "Davis") has plenty of defenders. More than one critic has called him Britain's greatest living film director, and French filmmaker Jean-Luc Godard — who was famously not a fan of British moviemakers — called Davies' 1988 full-length feature breakout, Distant Voices, Still Lives, "magnificent".

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