Tom Huizenga

Tom Huizenga is a music producer, reporter and blogger for NPR Music.

He is a regular contributor of stories about classical music to NPR's news programs and co-hosts NPR's classical music blog Deceptive Cadence.

Joining NPR in 1999, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music show Performance Today and for programs SymphonyCast and World of Opera.

He's produced live concerts, including a radio broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center and NPR's first classical music webcast from the Manhattan club (Le) Poisson Rouge, featuring the acclaimed Emerson String Quartet. He's also asked musicians to play in unlikely venues, such as cellist Alisa Weilerstein playing Bach at the Baltimore Aquarium. He's written and produced radio specials, like A Choral Christmas With Stile Antico, broadcast on stations around the country.

Huizenga's radio career began at the University of Michigan, where he hosted opera, jazz, free-form, and experimental radio programs at Ann Arbor's WCBN. As a student in the Ethnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, Md. and in his spare time writes about music for the Washington Post and overloads on concerts and movies.

What defines America? There's been a lot of talk about that this election season. Pianist Lara Downes has a musical answer in her upcoming album America Again. To be released Oct. 28, it's a smartly programmed, wide-ranging anthology of solo piano works by American composers past and present; male and female; straight and gay; rich and poor; white, black and Latino.

Violence against women is no modern tragedy. Composer John Adams found that out when he saw an exhibition about the tales of the Arabian Nights — ancient stories in which Scheherazade tells her murderous husband a new tantalizing tale each night for 1001 nights, thus sparing her life a day at a time. The composer, writing in Scheherazade.2's booklet notes, says he was surprised by how many of the stories included women suffering brutality.

If there's one piece by Chopin that can truly be called "trippy," it's the Mazurka in A minor, Op. 17, No. 4 – especially in this spellbinding performance by pianist Pavel Kolesnikov. The young Russian has just released a new album of Chopin's Mazurkas, arranged not chronologically but by mood and texture, flowing like a mixtape.

Talk to nearly any classical music critic about heroes of the trade and one name usually comes up: Virgil Thomson. Anthony Tommasini of the New York Times advises: "Every practicing and aspiring critic today should read Thomson's exhilarating writings."

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