Longital are a couple from Slovakia, and 2012 was their third experience at South By Southwest. Although both members are accomplished professionals from the world of math and computer science, they’re making their mark in the musical world through tours in Europe and America.
In this interview, Deirdre Saravia talks to the duo about their travels, as well as the inspiration behind some of their best songs, including “Dragon Clouds.”
For director Marc Evans, filming “Hunky Dory” was like coming home. After thrillers, documentaries, and dramas, Evans says his new film is “very much informed by the memory of being a teenager, and how much music meant to me as a teenager.”
Austin-based directors Nathan and David Zellner's dark fable, "Kid-Thing," screens at South By Southwest after playing the Sundance Film Festival earlier this year. In the film, young Annie (Sydney Aguirre) roams the countryside of East Texas aimlessly, casually shoplifting, throwing objects at passing cars, and enjoying her freedom, while her father lays about on the couch.
Following their acclaimed documentary "45635," Bill and Turner Ross headed south to New Orleans, filming the city almost exclusively at night. "Tchoupitoulas" follows three brothers as they experience what Turner Ross calls a "surreal Pleasure Island."
In "Heimkommen (Coming Home)," a young girl and her brother both deal with the loss of a loved one in very different ways. The film was shot in Germany, where director Micah Magee has been based for the past ten years.
Senior Maqui Gaona is enrolled in the Digital Video program at St. Mary’s Hall. Her film “Burn Spark” will screen as part of the Texas High School Shorts program at SXSW this week. The short film is set in a world where people are programmed to fall in love with only one other person.
“I kind of got the idea from lots of different interpretations of what it means to instantly connect with someone,” she says.
A sweet comedy about a sad sack poet trying to open a “mostly vegetarian” food stand, writer/director/actor Paul Gordon says "The Happy Poet" is also about "kindness and generosity versus looking out for yourself and doing what you need to do to get by." In the film, Bill (Gordon) finds trying to stay true to his convictions and make ends meet to be tougher than he expected.
In 1957, Barbara Smith Conrad was studying music at the University of Texas in Austin. She was cast as Dido in a student production of Henry Purcell’s opera "Dido and Aeneas."
Two weeks before the curtain, Conrad learned that she would not be singing the role of Dido, because a state congressman had objected to an African-American woman being cast opposite a white leading man in a romantic role.