The documentary Tim's Vermeer follows inventor Tim Jenison on a singular project — the attempt to paint in the way the 17th century Flemish master Johannes Vermeer painted.
Jenison was inspired by Vermeer's paintings and by the book Secret Knowledge, in which the contemporary English artist David Hockney theorized that Renaissance painters might have achieved photographic accuracy by employing tools that anticipated photography.
Pianist Slawomir Zubrzycki presents the "viola organista" on Oct. 18 in Krakow, Poland. Zubrzycki spent almost four years building the instrument, which is based on a late 15th-century design by Leonardo da Vinci.
When the Whitney Museum of American Art announced the artists for its 2014 biennial, people took to the Internet to chime in about who's been included and who's been left out; the last biennial had been blasted for ignoring Latino artists. But when a new show opened at the Smithsonian American Art Museum featuring only Latino artists — "Our America: The Latino Presence in American Art" — it was blasted for other reasons.
Your local library may have revolving displays of period museum collections or perhaps paintings hanging on the walls of their public gallery, but they probably don’t have this.
Chris Demarest is the painter who created about 30 paintings of World War II servicemen and women that are on display at the Patrick Heath Public Library in Boerne. You may still be asking: what’s so different about that?
"I bring my easel wherever I go, so I work in public" Demarest explained.
A new exhibit at the McNay by Illinois artist Rosayln Schwartz takes conventions from master paintings and re-interprets them, challenging the "arbiter of taste," those who decide what is and isn't "high quality."
"What I do in a sense is to try to pervert that experience by changing colors to these lurid, almost neon-like colors that I use to create these old master reenactments." Schwartz said. "And what I find so interesting is that people are drawn to the work, they’re seduced by the work because of this mastery."
An exhibit at the Carver Cultural Center features works by Roberto Jose Gonzalez, who cites a less-than-common muse for his new exhibit: A rain god.
"The exhibit is entitled Atl" Gonzalez said. "Atl is one of the rain gods, one of the rain deities in Mexico. This exhibition is devoted to creating works that are my vision, my interpretation of that particular rain God."
San Antonian Gonzalez is originally from Laredo, but traces his family tree much farther back.
The arts are growing in San Antonio, and have grown each year since the recession ended.
This year's Economic Impact of the Creative Industry on San Antonio report shows a slight but significant increase over last year, just one to two percent, but Dr. Steve Nivin at St. Mary’s University said the increase has been steady over the past few years.