San Antonio needs a few good artists. As the city's Public Art Manager Jimmy Leflore explains, “We’re looking for artists of different backgrounds, not just one particular type.”
There are several different kinds of public art projects they’re seeking artists for.
“We’ll have two new libraries," Leflore continues, "we have a series of parks that are going to be improved. We’re looking at probably eight to ten artists that will be selected in the coming year. There are over 20 projects that we’re looking to do as part of the 2012 bond package.”
You may have seen it pop up recently downtown, and wondered what it's all about. A painting, nearly 100 feet wide, and almost 30 feet tall, on West Commerce street by Main Plaza, in an environment where it really stands out. It's quite unlike the environs, quite new, quite large, and quite red.
Maura Reilly, Director of the Linda Pace Foundation, describes it as "...an abstract design. So it’s an interesting addition to the Historic Main Plaza."
A survey of Latinos in San Diego County finds that many face discrimination. Fewer Americans are choosing to have children. Some experts say this could have disastrous effects for the country's economic future. We speak to an International Bank of Commerce official who says America will need to import more workers to fill job shortages. When photographer Wes Naman invited friends to pose for a series of what was meant to be goofy portraits, neither he nor his models had any idea the images would end up reaching millions of people across the globe. More on why this Albuquerque artist's photos of distorted faces went viral.
The documentary Tim's Vermeer follows inventor Tim Jenison on a singular project — the attempt to paint in the way the 17th century Flemish master Johannes Vermeer painted.
Jenison was inspired by Vermeer's paintings and by the book Secret Knowledge, in which the contemporary English artist David Hockney theorized that Renaissance painters might have achieved photographic accuracy by employing tools that anticipated photography.
Pianist Slawomir Zubrzycki presents the "viola organista" on Oct. 18 in Krakow, Poland. Zubrzycki spent almost four years building the instrument, which is based on a late 15th-century design by Leonardo da Vinci.
When the Whitney Museum of American Art announced the artists for its 2014 biennial, people took to the Internet to chime in about who's been included and who's been left out; the last biennial had been blasted for ignoring Latino artists. But when a new show opened at the Smithsonian American Art Museum featuring only Latino artists — "Our America: The Latino Presence in American Art" — it was blasted for other reasons.
Your local library may have revolving displays of period museum collections or perhaps paintings hanging on the walls of their public gallery, but they probably don’t have this.
Chris Demarest is the painter who created about 30 paintings of World War II servicemen and women that are on display at the Patrick Heath Public Library in Boerne. You may still be asking: what’s so different about that?
"I bring my easel wherever I go, so I work in public" Demarest explained.
A new exhibit at the McNay by Illinois artist Rosayln Schwartz takes conventions from master paintings and re-interprets them, challenging the "arbiter of taste," those who decide what is and isn't "high quality."
"What I do in a sense is to try to pervert that experience by changing colors to these lurid, almost neon-like colors that I use to create these old master reenactments." Schwartz said. "And what I find so interesting is that people are drawn to the work, they’re seduced by the work because of this mastery."