Flamenco music is relatively new on the music scene (especially considering the long history of music as art), but still dates backs a couple of hundred years. It was brought to Spain by gypsies, who were erroneously named because they were mistaken for Egyptians but are of Indian descent.
Mention Frida Kahlo and we immediately think of the painter and the wide range of self portraits she produced during her troubled -- and at times anguished -- life. A recent recording by the Dublin Drag Orchestra with vocalist Clara Sanabras brings to light another side of Kahlo: occasional poet and writer. "La Vida Callada," ("The Unspoken Life") is included on the recently issued "¡Viva Frida!" from the Heresy record label. This track stands out for its balance of contrast and similarity to what the Dublin Drag Orchestra (DDO) has come to champion - early music.
Godfrey Reggio's groundbreaking trilogy of experimental films, "Koyaanisqatsi" (1983), "Powaaqatsi" (1988), and "Naqoyqatsi" (2002), were released for the first time on Blu-ray this month from the Criterion Collection. In this essay, former New York Times arts critic John Rockwell traces the evolution of Philip Glass's music, and how it works in these wordless films.
The Qatsi Trilogy: Counterpoint and Harmony By John Rockwell At this late date, with Glass having attained the patriarchal age of seventy-five, some of the polemics about minimalism have abated. He's still in some ways boyish, but he is also a father figure for generations of younger composers, some of whose music sounds in no way like his own.
It’s fitting that The Playhouse is showing Annie, which is set in a 1930s orphanage. Times were tough during those years in San Antonio, and Board Chair Lee Cusenbary said that theater was very important to San Antonians in the 1930s.