Ballet

Glenda Deahl / Magnificat Photography

“A lot of people see ballet as being highbrow,” says Judith Gani, the executive director of Alamo Arts Ballet Theatre. “Of course nothing could be farther from the truth,” Gani says with a smile. “It’s very exciting. It’s lots of fun… I mean, ‘Alice’ is full of things that I’m laughing at, and then I get tears in my eyes at the end! It’s very emotional.”

Remembering Ballet Great Violette Verdy

Feb 12, 2016

French ballerina Violette Verdy died on Monday at the age of 82. She was an acclaimed star of the New York City Ballet, dancing more than 140 ballets with the company during the 1960s and 1970s.

Verdy originated roles in works by legendary choreographers George Balanchine and Jerome Robbins. After she retired, she went into teaching and eventually became a professor at Indiana University Bloomington.

The Glass Ceiling On The Ballet Floor

Sep 18, 2015

When Misty Copeland was promoted to principal dancer of American Ballet Theater this summer, she made headlines as the first female African-American principal in the 75-year history of that company.

But as companies prepare for a new season, ballets’ artistic leadership and choreographers are almost exclusively white and male. And, as Here & Now contributor Sharon Basco reports, that’s not likely to change anytime soon.

In a promotion announced Tuesday, the American Ballet Theatre named Misty Copeland as the first black female principal dancer in its 75-year history. Copeland had previously been a soloist with the ABT, the premiere dance company in the U.S.

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