“’The Rite of Spring’ is not about flowers and birds singing. It’s about the power of nature,” says John Toohey, Executive Director of Arts San Antonio. ArtsSA is bringing “Rite” to San Antonio on Friday, March 8 at Lila Cockrell Theatre for the centennial of its notorious debut. The performance also marks the Joffrey Ballet's first performance in San Antonio in more than 20 years.
The Mexican revolution drove people into the United States and those that settled in South Texas helped shape the cultural and economic landscape of the area. This is especially notable as the Hispanic population continues to increase in the United States, and the country -- as Mayor Julián Castro put it -- begins to look like San Antonio. The last part of the show highlights a performance of Tchaikovsky’s "The Nutcracker," a production that is a holiday tradition in San Antonio and the U.S.
The opportunity afforded me this year by the double-Prokofiev season of the Houston Ballet has been terrific. Not only did I have the chance to see Prokofiev’s “Cinderella,” fully staged a couple of months ago, but this weekend I returned to see what is undoubtedly Prokofiev’s most important ballet: “Romeo and Juliet”.
"The Red Shoes," the rapturous 1948 British film by Michael Powell and Emeric Pressburger, is not just a great backstage film, it’s about the burning hunger that great artists have within them to create. In fact, "The Red Shoes" even goes as far as to suggest that art is something worth dying for. In the freshly post-war England, this must have been a daring thematic choice. After all, citizens for years had been dying for crown and country, and now, for dance? But for the artists of "The Red Shoes," dance they must.