These days artists and organizations are reaching out to connect with audiences. Preconcert talks, galas, and after show receptions are the norm. Even preconcert interviews and videos make up a large part of audience outreach.
There have been creative endeavors, including classical music cruises, new performances spaces like art galleries and bars, plus new social media outlets such as twitter, youtube, facebook, and instagram! You may have even seen classical cookbooks: Pavarotti's pasta, Die Oper Kocht, and a whole slew of others.
This week, six high school students are working with staff to learn basic radio interviewing and production skills, with the goal of having a finished project at the end of the week that combines words and music. On Wednesday, KABB Chief Meterologist Alex Garcia joined us to share his own professional journey through radio, television, and education, and we spent time interviewing the musicians who were in house yesterday.
Reagan High School student Ramee Saleh writes about today's experiences:
I recently came across a steal. A friend on a social network posted that a recording was $6. That may seem normal for an mp3 release, or mildly cheap if you purchase an iTunes release for $9.99. But this particular recording was live from Bayreuth - the complete Ring der Nibelungen by Richard Wagner. Yes, all four operas.
The whole world has been celebrating the 200th anniversary of Wagner's birth this year (his birthday is May 22). Summer festivals have been playing his music, and several cycles of the Ring are programmed for companies this fall and winter.
This is the kind of opportunity most classical musicians can only dream about: to be invited to spend part of the summer with an orchestra touring the world — Washington, Moscow, St. Petersburg and London — with two of the biggest names in classical music, conductor Valery Gergiev and violinist Joshua Bell.
The newest chamber music series, Q, continues this week with an all woodwind quintet program. Led by oboist Jennifer Berg, this weekend will mark the return of the formerly Boston based quintet, Q. "We struggled with the name, it was Quintuplets, Woodwind Fire (a pun on Earth, Wind and Fire), but we decided Q was best," says Berg.
This week, KPAC's James Baker and yours truly are working with a group of area high school students, offering them an opportunity to learn the ins and outs of radio production. We'll be recording and interviewing young classical musicians, and editing the material into a final project using the techniques they learn. One of the students, Lennon Maldonado, a recent Thomas Jefferson High School graduate who will be attending San Antonio College in the fall, had this to say about today's experience:
Originally published on Tue August 20, 2013 11:21 am
Leonard Bernstein, in a New York PhilharmonicYoung People's Concert, once summarized the late 19th century as the "kindergarten period" of American music and proceeded to make fun of George Whitefield Chadwick, Boston's leading composer from that period. But in citing Chadwick's Melpomene Overture, Bernstein stacked the deck.
It's a hot summer afternoon and the recital hall at Purchase College is abuzz with excitement and nervous energy. One hundred and twenty teenagers, from 42 states, are about to embark on an extraordinary musical and personal journey.
Clive Gillinson, executive director of Carnegie Hall, steps up to the podium to greet them. "Welcome to all of you," he says. "It's wonderful to welcome you here to the first-ever National Youth Orchestra of the United States of America!"