Tagged: Classical

Pages

Deceptive Cadence
11:16 am
Mon March 4, 2013

Marriage As Theater: Mendelssohn's 'Wedding March'

Credit iStock
A wedding ceremony: as close as many of us get to the theatrical stage.

Originally published on Wed March 6, 2013 2:17 pm

Arts & Culture
7:54 am
Mon March 4, 2013

Joffrey Ballet Returns To San Antonio With Stravinsky's Notorious "Rite of Spring"

“’The Rite of Spring’ is not about flowers and birds singing. It’s about the power of nature,” says John Toohey, Executive Director of Arts San Antonio. ArtsSA is bringing “Rite” to San Antonio on Friday, March 8 at Lila Cockrell Theatre for the centennial of its notorious debut. The performance also marks the Joffrey Ballet's first performance in San Antonio in more than 20 years.  

Read more
Deceptive Cadence
2:07 pm
Sun March 3, 2013

At 100, Composer Margaret Bonds Remains A Great Exception

Credit Carl Van Vechten / Wikimedia Commons
Margaret Bonds in 1956. Born in Chicago in 1913, Bonds became one of the first African-American female composers to gain recognition in the United States.

Originally published on Sun March 3, 2013 3:35 pm

Margaret Bonds, who died in 1972, is perhaps near the top of the very short list of African-American female composers. Thanks to her partnerships with Langston Hughes and soprano Leontyne Price and others, she's remembered in some circles as an important figure in American composition. But, mostly, she's been forgotten.

"It's amazing that people don't know who she was, although she was quite well known in her time," says Louise Toppin, an opera singer and a voice professor at the University of North Carolina at Chapel Hill.

Read more
Deceptive Cadence
2:25 pm
Fri March 1, 2013

Marches Madness: John Philip Sousa's 'Washington Post'

Credit Hulton Archive / Getty Images
Circa 1910: A program advertising John Philip Sousa and his band.
KPAC Blog: SAIPC
10:07 am
Fri March 1, 2013

SAIPC: No Two Performances Are Alike

Credit unknown
Maurice Ravel

I remember reading a legendary performer once say that no two performances are alike. When I starting studying the piano I recorded some of my practice sessions to hear how I was playing without the distraction of making the music.

The great musician was right, not only were all my repetitions different, I couldn't make my performances sound the same if I tried.

Read more

Pages