Classical

Texas Public Radio Classical Music blog and other stories.

Julya Jara

Attic Rep is staging a very unusual production starting next week. I spoke to its Director.

“I am Roberto Prestogiacomo and I am the Producing Artistic Director of Attic Rep.”

 Attic Rep is the resident theatrical organization at the Tobin. This production is called From the Mahabharata—The Great Dance-Off. What makes this production unusual is…well, just about everything. Its source idea begins with the Mahabharata, which he describes this way.

You wouldn't normally expect one of the great composers of the last few centuries to be meek, but how's this for humility?

"Bach and Beethoven erected temples and churches on the heights. I only wanted to build dwellings for men in which they might feel happy, and at home."

We rarely invite Tiny Desk alumni back to the confines of Bob Boilen's work space, but we couldn't resist this time. Harpist Yolanda Kondonassis and Grammy-winning guitarist Jason Vieaux have both given solo Tiny Desk performances. Since then they've paired up for concerts and a new album of works composed especially for their combination of instruments.

In his new memoir, Words Without Music, Philip Glass tells the story of how he slugged a man in the jaw in Amsterdam. At a concert, a quarrelsome audience member climbed onto the stage and began banging on the composer's keyboard. That was in 1969, when Glass' repetitious, slowly evolving music fell on many ears like a needle stuck in the groove of a record.

Justin Cole Photography

An Austin-based orchestra and chorus manage to get to San Antonio two or three times a year for a performance. TPR’s Arts and Culture Reporter Jack Morgan spoke to its Artistic Director.

It’s the Austin Baroque Orchestra and Chorus, and he’s Billy Traylor. What he’s bringing Sunday is a big show.

“There are 16 singers.  And the orchestra has about twenty.”

And there’s something else that sets this group apart.

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