Disney

Back in 1988, Indian-American director Mira Nair burst onto the scene with her debut feature Salaam Bombay!, a ground-level portrait of Bombay street kids that brought the qualities of Italian neorealism — and its key successors, like Satyajit Ray's "Apu Trilogy" — to a nascent American independent scene. With her new film Queen of Katwe, Nair comes full circle, at least in the sense that she's again addressing the perils of extreme poverty and the resilient children who withstand it.

If you've seen Sleeping Beauty, The Jungle Book or the Toy Story movies, you've seen the work of animator Floyd Norman; for decades, he has helped bring Disney and Pixar classics to life.

Now 81, Norman still works for Disney, where he has plied his trade, on and off, since he became the studio's first African-American animator in the 1950s.

The economics of remakes tend to run counter to creative value: Studios eager to cash in on existing properties choose to revive their most beloved titles, which generally condemns remakes to be a pale shadow of established classics. It also handcuffs filmmakers significantly, because they can't paint too far outside the lines or risk alienating fans of the original. The ideal remake would take a flawed film with a strong premise and build something completely new and inspired around it.

Pulitzer Prize-winning author Ron Suskind’s best-selling book, “Life Animated, A Story of Sidekicks, Heroes and Autism,” tells the story of how he and his family discovered that Disney films were a way to communicate with his son Owen, who has autism.

'Finding Dory' But Losing The Thread

Jun 16, 2016

The first line of Finding Dory is "Hi, I'm Dory," but it might as well be, "Awww!" That's the sound your theater will make when it gets its first glimpse of the baby blue tang fish, her big anime eyes half the size of her body, before she ages into the forgetful and freckled bundle of joy whom Ellen DeGeneres voices as though she's giving a giant bear hug to the world.

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