Hail, Caesar!, the 17th feature from indefatigable screenwriting, directing and (pseudo-nonamously) editing brothers Joel and Ethan Coen, is rated PG-13 for "suggestive content and smoking." But save for one word — sodomy — and a few less clinical terms that have long been allowed on network TV, this genial farce set in 1950s Hollywood could've almost passed muster under the Hays Code. It follows a frantic couple of days in the life of Eddie Mannix, head of Physical Production for Capitol Pictures.

Kino Lorber

Tabu (1931) was the final film of renowned German filmmaker F.W. Murnau. Created on the edge of the sound era, the movie is silent, black and white and shot on location in the South Seas. It’s fairly unimaginable that an American studio would have attempted the feat, either with sound or color, yet it was distributed by Paramount Pictures. It is one of the last, great gasps of the silent era, and perhaps a fitting capstone to the career of Murnau, who died even before the film’s premiere.

How much does it matter that filmmakers accurately portray the scientific details — of cosmology or physics for instance, or evolutionary theory or genomics — on the big screen?

My initial response — "It matters a lot, of course!" — has changed after attending a Sundance panel presentation called "The Art of Getting Science Right" at the Park City film festival this week.

British actor Mark Rylance doesn’t confine himself to films, the stage or television, he does them all.

Rylance just got an Oscar nomination for his role as Soviet spy Rudolf Abel in the film “Bridge of Spies.” He’s long been a favorite of New York theater-goers for his Tony Award-winning work in “Boeing, Boeing,” “Jerusalem” and “Twelfth Night.” Fans of the PBS “Masterpiece” series will recognize Mark Rylance for his performance as Thomas Cromwell in “Wolf Hall.”

The Museum of Fine Arts Houston is presenting its longest-running film festival.