Film

I'm not sure why this happened, but as I assembled this year's best-of list, I kept seeing matched sets: Two terrific desert movies, two swoon-inducing romances, two single-minded crusades by men who think they're already dead, and even a pair of riveting mortgage crisis flicks (and what are the chances of that?). The doubleness is a good organizing principle, since my 10-best list nearly always turns into a 20-best — so here goes:

1965. It had been seven years since Orson Welles directed Touch of Evil, more than 20 years since Citizen Kane, so a lot of people thought he was washed up when he shopped around a project he had created by blending bits and pieces of five plays by Shakespeare.

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Transcript

TERRY GROSS, HOST:

An Oscar-winning director, a major star, a survival saga that makes Heart of Darkness look like a pleasure cruise... and all anyone wants to talk about is the bear attack.

And in fact, it's hard not to start there. It comes about comes 24 minutes in. Fur-trapper Hugh Glass, played by a hirsute, bundled-up Leonardo DiCaprio, has helped his fellow trappers escape a harrowing Arikara massacre. In most movies that would be the scene everyone's talking about — arrows piercing vocal cords in mid-cry, death raining down from trees.

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