With only a few exceptions, the “best” days of Communism (and I say that with plenty of sarcasm) are long gone. The fall of the Berlin Wall in 1989 (with the final destruction in 1990), the Round Table talks in Warsaw in 1989, and the brutal execution of Nicolae Ceausescu in December of 1989 explain the often heard term Revolutions of 1989 as synonymous with the Fall of Communism.
In October 2013 Marin Alsop will bring the São Paulo Symphony Orchestra, Brazil’s leading cultural export, to Europe for a 15 concert tour. The Orchestra’s most extensive European tour to date takes in Berlin’s Philharmonie, Paris’s Salle Pleyel, London’s Royal Festival Hall and the Vienna Konzerthaus, plus three dates at the Salzburg Festival.
The week of June 3-8 marks the 38th call to order of the Victoria Bach Festival. Hundreds of musicians will eventually make their ways to this South Texas city as participants in numerous chamber concerts, plus the grand finale on Saturday evening, June 8.
The hearts of all who love and care for the Chicago Symphony Orchestra are weeping today with the announcement of the passing of trumpeter Adolph Herseth. For over a half century (1948-2004), he was the principal trumpet of the Chicago Symphony Orchestra. Along with tubist Arnold Jacobs, Herseth and his brass playing colleagues evolved into the most powerful and accomplished orchestral brass section in the world. This is no exaggeration!
I remember as yesterday my first substantial introduction to the art of Colin Davis. The cycle of Sibelius Symphonies he recorded with the Boston Symphony Orchestra was outstanding, enhanced further by the art work, drawn from the paintings of Edvard Munch. The music world reacted much as I had, declaring Sir Colin an authoritative interpreter of Sibelius. He came back to the cycle at least twice afterwards, making studio recordings with the London Symphony Orchestra and then a cycle of concert recordings with the LSO.