Originally published on Mon January 7, 2013 12:35 pm
Sunday Bloody Sunday is one of those films that lets you into the lives of believable, complicated characters. A handsome, self-centered young artist played by the actor/rock singer Murray Head is having simultaneous affairs with both an older woman (played with infinitely nuanced self-irony by Glenda Jackson) and an older man, a Jewish doctor (the touching Peter Finch), two intelligent adults who have mutual friends and even know each other slightly.
Godfrey Reggio's groundbreaking trilogy of experimental films, "Koyaanisqatsi" (1983), "Powaaqatsi" (1988), and "Naqoyqatsi" (2002), were released for the first time on Blu-ray this month from the Criterion Collection. In this essay, former New York Times arts critic John Rockwell traces the evolution of Philip Glass's music, and how it works in these wordless films.
The Qatsi Trilogy: Counterpoint and Harmony By John Rockwell At this late date, with Glass having attained the patriarchal age of seventy-five, some of the polemics about minimalism have abated. He's still in some ways boyish, but he is also a father figure for generations of younger composers, some of whose music sounds in no way like his own.
Alfred Hitchock was one of the greatest filmmakers of the 20th century, but he also had a dark side. A deeper reading of his films reveals some of Hitch’s hidden obsessions, including: murder, sex, and love. Throughout his career, Hitchcock was aided by the unseen hand of his wife, Alma Reville, who often served as the director’s sounding board and sometime editor.
While the Lifetime and Hallmark networks will duke it out for weeks ahead of Christmas, airing competing schmaltzy movies in which divorcees find love under the mistletoe, there has long been a tradition of Christmas movies intended for the kiddies. These movies usually assume that no adult will even attempt to watch the flick, and so all bets are off when it comes to bothering to appeal to anyone with more than two digits to their age.
“Snow White and the Seven Dwarfs” may not have been the first animated film, but as author and film historian J.B. Kaufman points out, Walt Disney “completely redefined the concept of what an animated feature could be” with his 1937 film, celebrating 75 years this December.