Among movie musicals, “Singin’ in the Rain” stands as the greatest of them all. Its nearest competitors, “The Band Wagon” with Fred Astaire, or even Gene Kelly’s “An American in Paris,” produced a year before “Singin’ in the Rain,” are also just as entertaining today as when they were first released six decades ago. But something about “Singin’ in the Rain” gives it a snap that remains timeless.
On the heels of a sold-out debut at Austin’s South By Southwest Film Festival last month, Ya’Ke Smith’s debut feature, “WOLF,” screens at the Dallas International Film Festival this weekend. The taut, emotional drama is about a family struggling to come to grips with their son’s sexual abuse at the hands of their church pastor.
Austin-based directors Nathan and David Zellner's dark fable, "Kid-Thing," screens at South By Southwest after playing the Sundance Film Festival earlier this year. In the film, young Annie (Sydney Aguirre) roams the countryside of East Texas aimlessly, casually shoplifting, throwing objects at passing cars, and enjoying her freedom, while her father lays about on the couch.
Following their acclaimed documentary "45635," Bill and Turner Ross headed south to New Orleans, filming the city almost exclusively at night. "Tchoupitoulas" follows three brothers as they experience what Turner Ross calls a "surreal Pleasure Island."
“Tchoupitoulas” is unique in its depiction of the Crescent City. The joyousness and weariness of downtown New Orleans is presented with equal measure. “These aren’t issue-based films,” Turner Ross explains. “It’s portraiture, really, and experience.”
In "Heimkommen (Coming Home)," a young girl and her brother both deal with the loss of a loved one in very different ways. The film was shot in Germany, where director Micah Magee has been based for the past ten years.