Electronic sounds created by machines like vocoders, synthesizers and laptops have become pretty standard in popular music, but electronic music is also having a resurgence in new works by classical composers.
Classical composers have worked with electronics since the end of World War II, but the new technologies and people’s growing familiarity with electronically-produced sounds has led to new and interesting works in the classical world.
Strings and Songs and Solidarity! - a concert featuring compositions by Darian Thomas, will be performed by high school and college musicians this weekend at the Carver Community Cultural Center. Thomas hopes you'll "support the contemporary classical music scene of San Antonio, and enjoy the vibrant sounds of youth coming together for a common goal!"
Here is a great example of Darian's artistry, a performance from last May with the Youth Orchestras of San Antonio's Philharmonic Orchestra and Troy Peters:
While SOLI Chamber Ensemble typically performs 10 to 12 times a season on their subscription series, this year has allowed audiences to hear them a few more times in special settings. This weekend the modern quartet, recognized in January by ASCAP for their adventurous programming, collaborates with the McNay Art Museum for a program called SO(LI) Surreal, based on their visiting Whitney Art Museum exhibit Real/Surreal.
Flamenco music is relatively new on the music scene (especially considering the long history of music as art), but still dates backs a couple of hundred years. It was brought to Spain by gypsies, who were erroneously named because they were mistaken for Egyptians but are of Indian descent.
The new CD "Triple Doubles" presents three recent double concertos - works composed for violinist Jaime Laredo and cellist Sharon Robinson. Performed by the Vermont Symphony Orchestra, these performances have a remarkably personal quality, undoubtedly a result of the performers' close relationship with the composers and the unique bond of a husband and wife interacting with "their" orchestra.
Troy Peters, who conducts Daron Hagen’s Masquerade, spoke with John Clare about this release.