opera

Classical composers have long had their patrons: Beethoven had Archduke Rudolph, John Cage had Betty Freeman. For contemporary opera composers, there's Beth Morrison. She and her production company have commissioned new works from some of the most innovative emerging composers today.

Ryan Speedo Green (@RyanSpeedoGreen) is the bass-baritone taking the opera world by storm. A recent New York Times review of the Metropolitan Opera’s “La Bohème” called him “a show stopper.”

The last time New York's Metropolitan Opera presented a work written by a woman was 113 years ago. It's a drought that lasted longer than the years between the Cubs' World Series victories. That situation has finally been rectified this week with the New York premiere of the opera L'Amour de Loin by Finnish composer Kaija Saariaho.

Christmas is coming, and soon TV screens everywhere will light up with that 1946 holiday classic, It's a Wonderful Life. But the same story is coming a little early to the stage of the Houston Grand Opera. That's right: An operatic version of George Bailey's struggle with life and death opens this Friday.

Librettist Gene Scheer admits that adapting such a beloved movie has sometimes felt like a fool's errand. "It's almost secular scripture, this piece," he says. "Everyone knows all the lines."

Joyce DiDonato is one of the most acclaimed opera singers of her generation; this year, she won the Grammy for Best Classical Vocal Solo. Her latest album, In War and Peace: Harmony Through Music, is a collection of baroque arias from the 17th and 18th centuries divided into two sections — one addressing war, the other, peace.

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