Originally published on Sat December 6, 2014 4:09 pm
11 min 44 sec
Don't ask the members of the Dublin Guitar Quartet to play the time-honored classics of the Spanish repertoire. They might play traditional Spanish style classical guitars, but they're not your standard guitar ensemble. The Dubliners are strictly devoted to contemporary music. They've been commissioning new pieces and adapting others for both acoustic and electric guitars since 2002, when the group formed at the Dublin Conservatory of Music and Drama.
Originally published on Wed September 10, 2014 3:04 pm
Throughout this month, the Brooklyn Academy of Music's signature Next Wave Festival is celebrating a record label with which it shares history and purpose: Nonesuch, marking its 50th anniversary this year.
Among my fellow classical music fans, I’ve been a big defender of Philip Glass’s music over the years. I enjoy the way the composer plays with time and space in his music, the way each harmonic shift signifies a sea change in the structure of the piece. After a period of heavy experimentation in the 1970s, pushing the boundaries of concert music with “Music with Changing Parts” and his opera “Einstein on the Beach,” Glass refined his radical style, adding linear melodic lines to the musical building blocks that formed the basis of his minimalist language.