Fox News has little to fear from “Machete Kills,” a sequel that trades the subversive immigration politics of its predecessor in favor of more over-the-top mayhem and humor with its titular character, portrayed with monosyllabic gusto by Danny Trejo. The production opens with a fake (or is it?) trailer for “Machete Kills Again...
Visiting New York City is exhilarating. The hassle of air travel, the expense of the cabs and buses falls away and suddenly you are there, surrounded by familiar buildings, that great skyline beckoning, and people!
With track titles as diverse as “Meeting Krishna” and “Thank You Vishnu For Introducing Me To Christ,” it’s appropriate that Mychael Danna’s score for “The Life of Pi” is an appealing mix of East Meets West, as strings, tablas, sitars, flutes, accordions and gamelans blend together for waltzes, Indian rhythms, and sweeping orchestral flourishes.
Alfred Hitchock was one of the greatest filmmakers of the 20th century, but he also had a dark side. A deeper reading of his films reveals some of Hitch’s hidden obsessions, including: murder, sex, and love. Throughout his career, Hitchcock was aided by the unseen hand of his wife, Alma Reville, who often served as the director’s sounding board and sometime editor.
Leo Tolstoy’s novel “Anna Karenina” continues to be a source of inspiration for filmmakers, having been adapted over a dozen times in different forms by directors all over the world. Joe Wright’s feature film boldly breaks from tradition, confining most of the plot on a single soundstage.
While the Lifetime and Hallmark networks will duke it out for weeks ahead of Christmas, airing competing schmaltzy movies in which divorcees find love under the mistletoe, there has long been a tradition of Christmas movies intended for the kiddies. These movies usually assume that no adult will even attempt to watch the flick, and so all bets are off when it comes to bothering to appeal to anyone with more than two digits to their age.
Steven Spielberg and composer John Williams’s long and fruitful collaboration continues with “Lincoln.” The prolific Williams draws upon folk styles to create an impression of America’s 16th president.
Fela Kuti is considered the founder of the musical style known as Afropop, which employs a very large band with a jazzy horn section and African rhythms. Kuti is not only a composer, but multi-instrumentalist, human rights advocate and political agitator.
The Fela Kuti Double Feature Documentary and Concert DVD is hypnotic watching, beginning with the chain smoking Fela introducing himself.
Among movie musicals, “Singin’ in the Rain” stands as the greatest of them all. Its nearest competitors, “The Band Wagon” with Fred Astaire, or even Gene Kelly’s “An American in Paris,” produced a year before “Singin’ in the Rain,” are also just as entertaining today as when they were first released six decades ago. But something about “Singin’ in the Rain” gives it a snap that remains timeless.