San Antonio Symphony

San Antonio Symphony

Fiesta is transforming the city right now, and it's even transforming what the San Antonio Symphony is up to.   That's because the San Antonio Symphony has a decidedly different sound every spring.

"Fiesta Pops is our annual event during Fiesta."

Akiko Fujimoto will be conducting the Symphony, and she says this performance will feature several sing-alongs.

"The whole point is that we want to involve the audience," she says. 

San Antonio Symphony

Musicians and management of the San Antonio Symphony took an unusual step recently to correct a budgetary shortfall. The cuts are part of the symphony's strategy for becoming financially stable. 

David Gross is the President of the San Antonio Symphony, and he says the problem isn't a new one. The deficit has been growing since 2008. Fundraising, ticket sales and grants just haven't paid the bills and Gross says he asked everyone involved to help find a solution.

Nathan Cone / TPR

When the San Antonio Symphony was deciding what would be the perfect piece of music to share with school children for an upcoming Young People's Concert, Camille Saint-Saens’ Carnival of the Animals, with its picturesque melodies, was a natural choice.

Luminaria

Lights, cameras and something a little different in downtown San Antonio this weekend.

First for the lights--Luminaria is back.  Kathy Armstrong heads Luminaria.

"Friday night we are going to transform the San Antonio Museum of Art's campus. We are also going to have musicians and performances and visual art displayed all around the museum. We will also be in the auditorium with some film and poetry," she said.

Nathan Cone / TPR

After six seasons of Winter Festivals, the San Antonio Symphony is finally getting around to Mozart. Music Director Sebastian Lang-Lessing, speaking to a crowd at the Tobin Center on Wednesday evening before a rehearsal of the latest Las Américas Festival concert, noted that the orchestra was waiting for the more finely tuned acoustics of the Tobin Center to handle the “intimate” sound of Mozart, as compared to their old home, the Majestic Theatre.

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