When Mad Men first premiered on AMC in 2007, Xavier Ruffin — a young, African-American graphic designer from Milwaukee, Wisc. — really wanted to like it.
"I wanted to be a fan of it when it first came out," Ruffin tells NPR's Arun Rath. "I just had my own personal differences. Not liking the way blacks were represented in their universe. I just couldn't get over it."
It's time for your weekly look back at technology and culture coverage from NPR and beyond. A quick guide, for first-time readers: Our NPR interviews or stories are in the ICYMI section, links to the broader conversations in tech this week are in "The Big Conversation" and links we loved are in "Curiosities."
Ken Ham, the founder of the Creation Museum who last month debated TV personality Bill Nye "The Science Guy" pitting his Biblical literalism against Darwinian evolution, says the highly publicized showdown has been like manna from heaven for a foundering $73 million Noah's Ark theme park.
Hundreds of visual-effects artists are planning to picket the Academy Awards on Sunday for the second year in a row. They're hoping to bring attention to what's been happening in their industry.
The field is losing jobs and relocating to countries with bigger subsidies for employers. It's the result of a technical revolution that's changed the profession since it kicked off in the 70s with Star Wars creator George Lucas' visual-effects company, Industrial Light and Magic.
You know, as I host this program, I'm on a social media platform - Twitter, as a matter of fact. There is no group that takes that new social media platform more than teenagers, and that's exactly what worries a lot of parents. Danah Boyd is a respected researcher in the world of social media. She spent years studying teenagers and how they interact online. Her findings are in a new book called "It's Complicated." In this encore broadcast, NPR's Elizabeth Blair reports.
Pelicans have the life. They live by the water, fly over the ocean, and eat lots of fish. Among humans, only T.C. from Magnum P.I. comes close to matching them. And he's just a fictional character, played by Roger E. Mosley.
Social monitoring started in the world of marketing, allowing companies to track what people were saying about their brands. But now, with software that allows users to scan huge volumes of public postings on social media, police are starting to embrace it as well.
Many police departments in Britain use a product sold by CrowdControlHQ. CEO James Leavesley calls it a "social media risk media and monitoring" company, meant primarily as a means of staying in touch with the public. But Leavesley says it's also a way to detect trouble.
From NPR News, this is ALL THINGS CONSIDERED. I'm Melissa Block. And we begin this hour with two stories of authorities tracking people online. In a moment, we'll hear how some police in this country are using software to look for potential criminal activity on Twitter. But first, something you might think would be more private: webcam chats.