soundtracks

Arts & Culture
12:51 pm
Sat February 9, 2013

Soundtrack Review: "Argo"

Watertower Music

After five Academy Award nominations, composer Alexandre Desplat is one of the busiest musicians in Hollywood today. In 2012 alone, he scored six features and one short film, scoring another nomination this year for his work on Ben Affleck’s award-winning film, “Argo.”

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TPR Cinema
11:19 pm
Sat January 26, 2013

Soundtrack Review: "The Life of Pi"

Sony Classical

With track titles as diverse as “Meeting Krishna” and “Thank You Vishnu For Introducing Me To Christ,” it’s appropriate that Mychael Danna’s score for “The Life of Pi” is an appealing mix of East Meets West, as strings, tablas, sitars, flutes, accordions and gamelans blend together for waltzes, Indian rhythms, and sweeping orchestral flourishes.

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9:19 am
Thu January 3, 2013

Six Film Composers On Their Craft

Lead in text: 
The Hollywood Reporter recently brought six top film composers together to discuss their craft. Alexandre Desplat noted: "I always thought [composers] could give master classes to directors. Not to teach them, but to help them communicate." Read the full interview with Danny Elfman, Desplat, Patrick Doyle, Mychael Danna, Marco Beltrami, and Fernando Velazquez after the jump.
Writing music often is a solitary pursuit, so it was no wonder that when six renowned composers -- Marco Beltrami, 46 ( The Sessions), Mychael Danna, 54 ( Life of Pi), Alexandre Desplat, 51 ( Argo, Moonrise Kingdom, Rise of the Guardians), Patrick Doyle, 59 ( Brave), Danny Elfman, 59 ( Frankenweenie, Hitchcock, Silver Linings Playbook), and Fernando Velazquez, 36 ( The Impossible) -- gathered in one room, they relished the chance to discuss the complexities of their trade.
10:18 pm
Fri December 14, 2012

Philip Glass and the "Qatsi" Trilogy

Lead in text: 
Godfrey Reggio's groundbreaking trilogy of experimental films, "Koyaanisqatsi" (1983), "Powaaqatsi" (1988), and "Naqoyqatsi" (2002), were released for the first time on Blu-ray this month from the Criterion Collection. In this essay, former New York Times arts critic John Rockwell traces the evolution of Philip Glass's music, and how it works in these wordless films.
The Qatsi Trilogy: Counterpoint and Harmony By John Rockwell At this late date, with Glass having attained the patriarchal age of seventy-five, some of the polemics about minimalism have abated. He's still in some ways boyish, but he is also a father figure for generations of younger composers, some of whose music sounds in no way like his own.
TPR Cinema
10:55 pm
Sat December 8, 2012

Soundtrack/Movie Review: "Hitchcock"

Alfred Hitchock was one of the greatest filmmakers of the 20th century, but he also had a dark side. A deeper reading of his films reveals some of Hitch’s hidden obsessions, including: murder, sex, and love. Throughout his career, Hitchcock was aided by the unseen hand of his wife, Alma Reville, who often served as the director’s sounding board and sometime editor.

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TPR Cinema
11:21 pm
Wed December 5, 2012

Soundtrack Review: "Anna Karenina"

Decca Records

Leo Tolstoy’s novel “Anna Karenina” continues to be a source of inspiration for filmmakers, having been adapted over a dozen times in different forms by directors all over the world. Joe Wright’s feature film boldly breaks from tradition, confining most of the plot on a single soundstage.

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Arts & Culture
3:30 pm
Thu November 22, 2012

Soundtrack Review: "Lincoln"

Credit Sony Music Entertainment

Steven Spielberg and composer John Williams’s long and fruitful collaboration continues with “Lincoln.”  The prolific Williams draws upon folk styles to create an impression of America’s 16th president.

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10:09 am
Fri November 16, 2012

John Williams Tops Poll of Best Film Composers

Lead in text: 
The showbiz trade Variety recently polled 40 composers active in the movie industry, asking for their top three film scores of all time. John Williams came out on top with the most mentions, while Ennio Morricone's score for "The Mission" was ranked as Best Score overall. Read the entire article after the jump.
Ennio Morricone's original music for Roland Joffe's 1986 film "The Mission" landed on top of a Variety poll of 40 active composers who were asked to name their top three original movie scores of all time in order of preference.
Arts & Culture
8:30 am
Mon November 12, 2012

John Williams' Inevitable Themes

Flanked by composer Leonard Slatkin and soprano Jessye Norman, John Williams takes a bow during his 80th-birthday celebration at Tanglewood in August.
Stu Rosner

Originally published on Thu November 15, 2012 9:52 am

For more than 50 years, John Williams' music has taken us to galaxies far, far away through adventures here on earth, made us feel giddy joy and occasionally scared us to death.

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KPAC Blog
10:11 pm
Wed November 7, 2012

KPAC's 30th Anniversary: 30 Great Film Scores

Olivia Wilde, lounging and listening to some awesome soundtracks.
Credit ©Disney. All Rights Reserved.

This month, KPAC is celebrating thirty years of broadcasting. Our hosts are having some fun sharing "30 lists" - artists, music, movies, and recordings you might enjoy, that help shape the sound of your classical oasis.

As the curator of Texas Public Radio’s film series, Cinema Tuesdays, I spend a lot of my free time enjoying movies, and their soundtracks.  Soundtracks make up a small but important section of our library at KPAC. Because we connect to movies on such a personal level, film scores often come with built-in emotional attachment. Below is a list of some of my favorites. While this is by no means a ‘best of’ list, these are the records I enjoy spinning most often on my CD player and iPod. I created a Spotify list, linked below, so you can listen to all of the tracks in a playlist, and in the article, each track is linked to Amazon when available so you can download a song or album for yourself. Have fun listening!

Click here to listen to the list on Spotify.

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