Godfrey Reggio's groundbreaking trilogy of experimental films, "Koyaanisqatsi" (1983), "Powaaqatsi" (1988), and "Naqoyqatsi" (2002), were released for the first time on Blu-ray this month from the Criterion Collection. In this essay, former New York Times arts critic John Rockwell traces the evolution of Philip Glass's music, and how it works in these wordless films.
The Qatsi Trilogy: Counterpoint and Harmony By John Rockwell At this late date, with Glass having attained the patriarchal age of seventy-five, some of the polemics about minimalism have abated. He's still in some ways boyish, but he is also a father figure for generations of younger composers, some of whose music sounds in no way like his own.
Alfred Hitchock was one of the greatest filmmakers of the 20th century, but he also had a dark side. A deeper reading of his films reveals some of Hitch’s hidden obsessions, including: murder, sex, and love. Throughout his career, Hitchcock was aided by the unseen hand of his wife, Alma Reville, who often served as the director’s sounding board and sometime editor.
Leo Tolstoy’s novel “Anna Karenina” continues to be a source of inspiration for filmmakers, having been adapted over a dozen times in different forms by directors all over the world. Joe Wright’s feature film boldly breaks from tradition, confining most of the plot on a single soundstage.
Steven Spielberg and composer John Williams’s long and fruitful collaboration continues with “Lincoln.” The prolific Williams draws upon folk styles to create an impression of America’s 16th president.
The showbiz trade Variety recently polled 40 composers active in the movie industry, asking for their top three film scores of all time. John Williams came out on top with the most mentions, while Ennio Morricone's score for "The Mission" was ranked as Best Score overall. Read the entire article after the jump.
Ennio Morricone's original music for Roland Joffe's 1986 film "The Mission" landed on top of a Variety poll of 40 active composers who were asked to name their top three original movie scores of all time in order of preference.
This month, KPAC is celebrating thirty years of broadcasting. Our hosts are having some fun sharing "30 lists" - artists, music, movies, and recordings you might enjoy, that help shape the sound of your classical oasis.
As the curator of Texas Public Radio’s film series, Cinema Tuesdays, I spend a lot of my free time enjoying movies, and their soundtracks. Soundtracks make up a small but important section of our library at KPAC. Because we connect to movies on such a personal level, film scores often come with built-in emotional attachment. Below is a list of some of my favorites. While this is by no means a ‘best of’ list, these are the records I enjoy spinning most often on my CD player and iPod. I created a Spotify list, linked below, so you can listen to all of the tracks in a playlist, and in the article, each track is linked to Amazon when available so you can download a song or album for yourself. Have fun listening!