The KPAC Blog features classical music news and analysis. From a detailed look at Wagner's masterpiece"Parsifal," to an inside look at the Latin Grammys, the KPAC Blog features writings about some of the music played on air as well as other interviews and essays about classical music.
Jeremy Denk has recently written for <a href="http://www.newyorker.com/reporting/2012/02/06/120206fa_fact_denk"><em>The New Yorker</em></a> and <em><a href="http://www.nytimes.com/2012/04/15/books/review/the-great-animal-orchestra-by-bernie-krause.html?_r=2&adxnnl=1&pagewanted=all&adxnnlx=1337778055-USiY+mXCAcDwaHTUn+NOVA">The New York Times</a> Book Review.</em>
As Camerata San Antonio opens their tenth season this weekend, they’ll be joined for two pieces by oboe and English horn soloist Jennifer Berg. Early 20th century British composer E.J. Moeran’s “Fantasy Quartet” opens the program:
Originally published on Wed September 25, 2013 11:22 am
How do you make a piano sing? Italian-born pianist Antonio Pompa-Baldi tackles the question on his new album, The Rascal and the Sparrow, a tribute to Francis Poulenc and Edith Piaf, two titans of French song who each died 50 years ago. Pompa-Baldi shared his thoughts on the project in this email chat with NPR Music's Tom Huizenga.
Originally published on Wed September 25, 2013 1:52 pm
Loud music can lead to hearing loss. But it's not just rock musicians and their fans who are at risk.
In classical orchestras, horn players are particularly vulnerable to hearing damage from the tunes they and their colleagues play.
Some studies have found that horn players are blasted with some of the loudest sounds in the orchestra. The levels are so high that many countries' occupational health regulations would limit exposure like that to a half-hour a day, some studies have found.
Originally published on Wed October 2, 2013 8:37 am
[Every year, the MacArthur Foundation gives out 24 "Genius Grants" — generous cash prizes for brilliant creators in any number of fields. On Wednesday, less than a week before the release of his new album, Jeremy Denk joined their ranks.]
Promotion can be deceptive; we've all been duped into expecting the latest and greatest this or that, only to be profoundly disappointed, maybe even out some bucks for the CD or online download. That said, and yes it can be regarded a disclaimer, I want to share what looks like the real deal, waiting in the wings, with only the details of the release date still to be determined. Line up behind me for this anticipated new release.
Like Leonard Bernstein himself, there is absolutely nothing predictable about the music he wrote. None of the three amazing works Bernstein labeled as "symphonies" in any way resemble a conventional orchestral symphony.