KPAC Blog

The KPAC Blog features classical music news and analysis from all our classical hosts. From Ron Moore's detailed look at Wagner's masterpiece "Parsifal," to an inside look at the Latin Grammys from James Baker, the KPAC Blog features writings about some of the music played on air as well as other interviews and essays about classical music.

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KPAC Blog
7:23 am
Mon December 3, 2012

Three New Releases Make Perfect Stocking Stuffers

New Music is a great gift!

John Clare has been listening to a lot of new releases lately - these three recordings really stood out.

Robert Xavier Rodriguez might not be a new name for TPR listeners, he was composer in residence for the San Antonio Symphony years ago, and his operas are often produced in Austin, Houston and Dallas (besides in the world's opera houses.)

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KPAC Blog
1:05 am
Sat December 1, 2012

KPAC's 30th Anniversary: 30 Years, 30 Musical Moments

Glenn Gould's 1981 recording of Bach's Goldberg Variations.

In 1982 I was pushed into a chair in front of a microphone to back announce Bach's "Brandenburg Concerto No. 3."  Back then, KPAC was brand new, and had four turntables, reel to reel machines, and a small staff. With no university or college to support us, bringing classical music to San Antonio was a gamble from the get - go. Here are some of my favorite musical moments of the last three decades.

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KPAC blog: The Piano
1:11 pm
Fri November 30, 2012

On The Piano: Size Isn't Everything For Schubert's 'Impromptus'

Credit : Original resides at the Historic Museum of the City of Vienna
Caricature of singer Johann Michael Vogl (left) and composer Franz Schubert (right). The caption (in German) reads: Michael Vogl and Franz Schubert go out for battle and victory.

Franz Schubert had great friends, and he needed them. His father wanted him to teach school, but Franz was built to compose music, and what started as a family hobby turned into an all consuming passion. Giving up his teaching job, Schubert turned to his friends, and with their help he was allowed, slowly and painfully, to become the artist he knew himself to be.

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KPAC blog: Saturday Afternoon At The Opera
5:47 pm
Thu November 29, 2012

The Season Finale: Franz Josef Haydn’s 'Orlando Paladino'

Credit Wikipedia
Franz Joseph Haydn

At one time Franz Josef Haydn had the best and worst job in the world. From his earliest youth he had found his way into the employ of the Eszterhazy family. Once he settled in, and with the exception of the rare argument, this arrangement (1761-1802) continued into his final retirement from ill health. He started with Prince Paul Anton (Pal Antal 1711-1762) first as assistant Kapellemeister and then the top post. But after that patron’s death his real compositional life began.

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Classical Spotlight
10:05 am
Thu November 29, 2012

Holidays Come To Life With Symphony Of The Hills And Jay Dunahoo

Credit John Clare / Texas Public Radio
Jay Dunahoo at the TPR Studios

Classical Favorites like the Messiah and Manneheim Steamroller on tap

Christmas Through the Ages shows many of sides to the Symphony of the Hills. They will play the first portion of 'The Messiah,' selections by Mannhein Steamroller's Chip Davis as well as A Canadian Brass Chrsitmas. Classical masterworks of Vaughan-Williams and Samuel Barber also round out the program at the Callioux Theater on Thursday, December 6 at 7:30 p.m..

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KPAC Blog: 30th Anniversary
3:01 pm
Wed November 28, 2012

KPAC's 30th Anniversary: 30 Great Latin American Recordings

Credit Courtesy Cuarteto Latinoamericano
Cuarteto Latinoamericano, en los árboles.
Deceptive Cadence
1:30 pm
Tue November 27, 2012

Do Orchestras Really Need Conductors?

Credit James Garrett / New York Daily News via Getty Images
Does This Guy Matter? Conductor Leonard Bernstein during rehearsal with the Cincinnati Symphony at Carnegie Hall in 1977.

Originally published on Wed December 5, 2012 9:12 am

Have you ever wondered whether music conductors actually influence their orchestras?

They seem important. After all, they're standing in the middle of the stage and waving their hands. But the musicians all have scores before them that tell them what to play. If you took the conductor away, could the orchestra manage on its own?

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Arts & Culture
9:41 am
Tue November 27, 2012

KPAC's 30th Anniversary: 30 Great Vocal Recordings

Credit Houston Rogers / Wikipedia
Publicity photo of Maria Callas (1923 – 1977) as Violetta in La Traviata at the Royal Opera House (1958).


This month, KPAC is celebrating thirty years of broadcasting. Our hosts are having some fun sharing "30 lists" - artists, music, movies, and recordings you might enjoy, that help shape the sound of your classical oasis.

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Deceptive Cadence
8:29 am
Tue November 27, 2012

Joyce DiDonato: Sublime Singing Makes The Unreal Real

Credit Josef Fischnaller / courtesy of the artist
Mezzo-soprano Joyce DiDonato.

Originally published on Wed November 28, 2012 9:36 am

It's true — opera is totally over the top. Plots can strain even the barest semblance of credulity (too many cases of ghosts and mistaken identities to count), with characters that could get you thrown out of an introductory writing course, down to the blushing ingenues and the evil connivers who might as well be twirling waxed mustaches.

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Classical Spotlight
1:35 pm
Mon November 26, 2012

Choruses Create Winter Magic In Holiday Music Celebration At Concordia

Credit CCSA
Winter Magic this weekend with CCSA

The Children's Chorus of San Antonio performs at Concordia Lutheran Church

It's a new location for Winter Magic with the Children's Chorus of San Antonio! "Our numbers have grown this year which is absolutely wonderful, but we needed a larger space," says Marguerite McCormick.

"We combine the choirs in a couple of different ways - sometimes two or three of the training choirs will sing together, sometimes the advanced choirs will sing together, and then we do feature all seven choirs; all 250 plus children in this concert!"

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