The pedigree of “South Park” and “Avenue Q” is evident in the raucous, raunchy musical “The Book of Mormon,” which opened Tuesday night at the Majestic Theatre. Anyone who knows the former will know what to expect from “Mormon,” but what surprised many of the audience members I spoke to at intermission at Wednesday night’s performance was the sweetness and good heart behind the words, many not fit for radio broadcast.
Some of San Antonio's most able musicians play an instrument we all take for granted.
"I can't tell you how many people tell us how, that when they hear our a capella music, it is what they imagine Angels must sound like," said Copperleaf Quintet Artistic Director and singer Ruth Moreland.
Some of the group's new season, which begins September 29, will be performed primarily at the University of the Incarnate Word's Chapel of the Incarnate Word.
ARTS San Antonio’s new season is just around the corner and Executive Director John Toohey says unlike some arts organizations in the city, which have a narrow focus, their niche is in providing a wide style of performance art.
"People come here from all over the world, so we bring performing artists here from all over the world," Toohey says.
Each week on World Music (Saturday nights from 8-10 on KSTX 89.1 FM), I take a look at celebrations happening around the world. As September comes to an end, South Africa looks to the sea to celebrate one of the earth’s largest mammals, but in Slovenia, another smaller mammal makes a meal.
A very unusual concert that happens every solstice takes place this Saturday in a very unlikely location.
Celebrating the autumnal equinox, concert-goers head eighty feet down, deep inside the Cave Without a Name, which is near Boerne. Musician Rudi Harst and a makeshift band will play, along with an interesting partner.
The year was 1982, I believe, when I first encountered the Brazilian conductor Isaac Karabtchevsky. He had come to guest conduct the Orquesta Filarmonica de la Ciudad de Mexico (Mexico City Philharmonic), of which I was a member. I have fond memories of the experience, especially the opening number of the concert, the “Overture to Der Freischutz” by Carl Maria von Weber. The orchestra loved playing for him and gave him terrific performances. I recall going out afterward with a group of musicians and Maestro Karabtchevsky, for drinks.
The large glass windows at Artpace’s 445 North Main facility features an unusual new exhibit, with legs ascending from sand piles in the floor, swirling towards the ceiling.
Artist Julia Barbosa Landois describes it:
"There are all these different legs," she says. " They start as these neutral, earthy colors, and they become very vibrant, purples, light blue, turquoise, pink. And then at the top they become reflective, embossed, colored foil."
Originally published on Wed October 2, 2013 8:41 am
Singer, songwriter and guitarist Rokia Traoré has always been a sophisticate. She grew up as the daughter of a diplomat who was posted in the U.S., Europe and the Middle East. Her most recent stage project was Desdemona, a critically acclaimed theater piece riffing on Shakespeare's Othello, done in collaboration with novelist Toni Morrison and renowned theater director Peter Sellars and mounted at London's Barbican, in Vienna and at Lincoln Center.
Camerata San Antonio begins its next season by taking the show on the road. The popular local Chamber Music ensemble made up of San Antonio Symphony players has been dazzling south Texas audiences for the last decade.
Ken Freudigman, who plays cello in the group, dropped by to talk about their coming programs, starting in Boerne and Kerrville.
"We have music from Benjamin Britten, Béla Bartók, we’re doing some music of Dvořák, Hugo Wolf, music of Brahms and Mendelssohn, all throughout the entire year," he said.
A new exhibit at the McNay Art Museum reveals the important role of costumes and design in a stage production's acting and set.
McNay Art Museum Director William Chiego introduces us to their new exhibition, Onstage! Costume Design and the Theatre, which runs now through Jan. 5, 2014.
"Onstage is a wonderful demonstration of some of the leading costume designers that are represented in the Tobin collection, and it shows how costume design was translated into the actual work for the stage," Chiego said.