The Mexican composer Gabriela Ortiz has found a great deal of success with her varied catalog of work. To try to define it in only a paragraph, or two, would be unfair and probably impossible. Likewise, her work defies any attempt to be pigeon-holed into a nationalistic or ethnic box. Yes, some of the catalog reflects her Mexican roots. But other titles speak in a musical language which should only be described as contemporary.
Tom Dooling leads Parts 2 & 3 of Handel's masterpiece
Handel's Messiah Parts II and III are the program this Sunday for the Sanctuary Choir of First Presbyterian Church, accompanied by a baroque ensemble playing on period instruments. Tom Dooling conducts the free concert that starts at 4 p.m.
"Messiah was popular in its day, and throughout history a real staple," says Dooling. "It is probably one of the most, if not THE most recognizable choral/orchestral works in the repertoire."
Iceland's Ásgeir Trausti has taken the music charts in his native country by storm since his debut album, "Dyrd I Daudathogn," came out in September of last year. The presale of his album broke records on Icelandicmusic.com, reached gold sales in six weeks and has since gone platinum.
While some of the musical backing in his songs may sound familiar, the vocal stylings in his native Icelandic make the vocal feel more like a participating instrument than a means to deliver the lyrics.
Lisa LeBlanc's musical idols are from the world of classic rock and metal. They're big rock stars with charisma, many of them men. Her approach to folk music is bold and confrontational, a style that she has deemed "folk trash."
San Antonio’s poet laureate is on her way this week to Bordeaux, France, to perform at the International Conference on Interlanguage.
Dr. Carmen Tafolla’s poetry has been heard in countries all over the world, but she said she was invited to the linguistic conference based on her mastery of code-switching. She says this is the natural progression of language, and it happens all the time: