I recommend two ways of listening to Tanya Tagaq's latest record, Retribution. One is with eyes closed, given over wholly to the experience of a dense, immersive collection of sounds unlike any sounds on any other albums in your collection. The other is with eyes open, standing in front of a mirror, with one hand on your throat. The former is to better appreciate this record as a shockingly inventive achievement in music production. The latter is to better appreciate the marvel of the human body.