Ron Moore

Classical Music Host

Ron has always lived in two musical worlds: jazz and classical. Although born in Los Angeles, he has lived in San Antonio most of his life.

Hearing jazz while growing up at home, Ron discovered classical music as a child at the San Antonio Public Library; his favorite composers have always been Miles Davis and Brahms.

Ron has bought, sold, or broadcast music for a living for most of his adult life, all while writing novels, plays and essays on the side. Prior to joining TPR, Ron worked at Doubleday in New York and Sound Warehouse in San Antonio.

His enthusiasm for music has been captured forever on the "Ruff-Mitchell Duo Play With Dizzy Gillespie" - the screams that endlessly repeat in the background are his.

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Arts & Culture
1:03 am
Thu May 23, 2013

100 Years Of Igor Stravinsky's "The Rite of Spring"

Igor Stravinsky
Wikimedia Commons cc

    

2013 marks the 100th anniversary of the first performance of Igor Stravinsky's landmark ballet "Le Sacre du Printemps," commonly known as "The Rite of Spring."

James Baker and Ron Moore, for many years co-hosts of KPAC's Alternate Routes, recently took time out to reflect on the meaning of 100 years of The Rite of Spring.

There are essentially two versions of Igor Stravinsky's Rite of Spring.

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KPAC Blog
11:45 am
Wed May 22, 2013

200 Years Of Richard Wagner And The Will Of Music

Photograph of composer Richard Wagner, Paris, 1861. Originally printed in the Galerie des hommes du jour.
cc

Wagner's incredible and improbable success is one of the fairytale's of high art. The late Jacques Barzun referred to his position in later life as: "That of a Lord of all the arts."

Randy Anderson has rightly commented on his association with the highest circles of the intellect and art: De Gobineau, Nietzsche, Semper, Meyerbeer, Berlioz and later Liszt, as Wagner would wed Cosima, the pianist's daughter.

So how did all this happen?

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KPAC Blog: Metropolitan Opera
2:23 pm
Wed May 8, 2013

Wagner's Anniversary And The End Of The World In 'Gotterdammerung'

Siegfried is dead!
Ken Howard Metropolitan Opera

The 2012-13 opera season has come and almost gone. For whatever wonders summer may hold, the Met Opera season of broadcasts closes this weekend with the living end, Richard Wagner's "Götterdämmerung."

In a staggering marathon of recapitulations, developments, plot changes and reversals, and a grand procession of leitmotivs that ignite a conflagration that ends the opera, the gods and the world are reborn in the cleansing fires of the overflowing Rhine.

But how does it all happen?

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KPAC Blog: Metropolitan Opera
12:08 pm
Thu May 2, 2013

Rare Met Return For Poulenc's "Dialogues Des Carmelites"

Metropolitan Opera

I have recently been reading about the post World War II international attempts to restore Europe, both materially and spiritually.

This struggle for renewal after suffering and oppression is given a musical shape in Francis Poulenc's, "Dialogues des Carmélites." Though premiered in 1956, its origins are in the period directly after the war in 1947-49.

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KPAC Blog: Metropolitan Opera
1:15 pm
Thu April 25, 2013

'Giulio Cesare' And The Return Of George Frederick Handel

Ken Howard Metropolitan Opera

If you're older than thirty you may know something of the unlikely and extremely rare probability of a baroque opera being performed at the Metropolitan Opera. This was sometime in the late eighties, but in musical terms seems a lifetime ago.

To quote Inspector Morse, the opera loving sleuth, "I was horrified to discover that the tickets I had received for Wagner were in fact for Handel!"

I can think of no opera composer of the first rank who has undergone so radical a transformation of fortune as Handel.

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KPAC Blog: Metropolitan Opera
2:42 pm
Fri April 19, 2013

Richard Wagner's "Siegfried," The World's Last Hope

Jay Hunter Morris as Siegfried.
Ken Howard Metropolitan Opera

In "Siegfried" we return to the origins of Wagner's conception of "The Ring." Before there was an explanation and an event, a plot before a back story.

These various sketches, fragments and early drafts were separated by a quarter of century from the opera's first performance (1851-1876).

We recreate the fairytale atmosphere of "Das Rheingold" with a dwarf, a dragon, giants, a singing bird and a boy so innocent he has "never" seen a girl.

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KPAC Blog: Metropolitan Opera
2:33 pm
Fri April 12, 2013

Video: The Most Famous Horse Ride In All Music In Wagner's 'Die Walkure'

Deborah Voigt and ensemble as Brünnhilde and the Valkyries.
Ken Howard Metropolitan Opera

The Norse god Wotan - like his counterparts in the south, Zeus and Jupiter - got around as they say. He wasn't named "all-father" for nothing. The second opera of Richard Wagner's Ring cycle is about three of his offspring.

First, the legitimate daughter Brünnhilde, who is a Valkyrie -a collector of the heroic dead slain in battle - and after whom this opera is named. Then there are the twins Siegmund and Sieglende, their mother is Erda - mother earth.

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KPAC Blog: Metropolitan Opera
2:21 pm
Fri April 5, 2013

At Home With The Gods In The First Part Of Wagner’s Ring Cycle, "Das Rheingold"

The dwarf Alberlicht steals a chunk of gold from the Rhine River, from which he forges a ring.
Metropolitan Opera

After a decades-long struggle, the patience and slavish commitment of numberless friends, an inspiration that can truly be called superhuman, and a streak of luck that beggars the imagination, Richard Wagner finally finished his epic "Ring."

Despite the luminaries in attendance over the years - from Hugo Wolf and a who’s who of European royalty, to Tchaikovsky, Bernard Shaw and others - it could never pay its way.

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KPAC Blog: Metropolitan Opera
11:59 am
Thu March 28, 2013

Giuseppi Verdi's 'La Traviata,' The Opera Of Operas

Metropolitan Opera

There are a handful of operas that define the genre; their time period irrelevant and their themes go to the very heart of the human condition.

We live with these creations daily without our knowing it and they are the very musical air we breath. They exist in the opera house, on the the concert stage (without scenery), in the recital hall (as excerpts, arranged for piano), in the elevator, on the radio, in the lightest cartoons and the darkest dramas - and yes, in the shower.

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KPAC Blog: Metropolitan Opera
12:43 pm
Thu March 21, 2013

The Joys Of Chaos With Giuseppe Verdi’s 'La Forza Del Destino'

Wikipedia

Acting on a commission for "La Forza del Destino" from the Bolshoi Theatre in St. Petersburg, Verdi responded on a practical level by preparing for winter; it would premiere in late November.

He sent ahead Italian provisions - sausage, pasta and salami - acquired a very warm coat and commenced work.

Masterpiece of chaos

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