Tom Huizenga

Piotr Anderszewski might be one of the most revered pianists of his generation, but he's also one of the most impulsive.

In 1990, at age 21, the young Pole entered the prestigious Leeds International Piano Competition. He was nearly finished with his semi-final performance when he quit playing — just walked off the stage. He felt he wasn't good enough to continue. It was a gutsy move that actually helped launch his career.

Symphony orchestras and opera companies across the country continually ask the same question: How do we attract a younger and more diverse audience?

Saturday night, I discovered something of an answer at the Washington National Opera's east coast premiere of Champion, a four-year-old opera by jazz trumpeter and composer Terence Blanchard.

In 21 seasons of attending WNO performances, I've never witnessed a more diverse crowd.

American composer Philip Glass turns 80 years old on January 31. To mark the occasion, we asked several of Glass' colleagues and collaborators to pick a piece of his music and write about it.

For nearly five decades, Daniel Barenboim has been making a case for the symphonies of Anton Bruckner. Tonight at Carnegie Hall, the conductor begins a complete cycle of Bruckner's nine numbered symphonies, leading the storied Staatskapelle Berlin.

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