Fresh Air on KSTX

Weekdays at 2 p.m.
  • Hosted by Terry Gross

Fresh Air with Terry Gross, the Peabody Award-winning weekday magazine of contemporary arts and issues, is one of public radio's most popular programs. Each week, nearly 4.5 million people listen to the show's intimate conversations broadcast on more than 450 National Public Radio (NPR) stations across the country, as well as in Europe on the World Radio Network.

Though Fresh Air has been categorized as a "talk show," it hardly fits the mold. Its 1994 Peabody Award citation credits Fresh Air with "probing questions, revelatory interviews and unusual insights." And a variety of top publications count Gross among the country's leading interviewers. The show gives interviews as much time as needed, and complements them with comments from well-known critics and commentators.

The creator of the 1999 BBC series Queer As Folk has made three new TV series about gay men and women — and two of them are coming to the U.S. later this month. They have the conspicuous names of Cucumber, Banana and Tofu. Russell T. Davies says the titles came from a study he read from a scientific institute in Switzerland that investigated men's sexuality.

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Transcript

TERRY GROSS, HOST:

This is FRESH AIR. I'm Terry Gross. We're used to lots of political ads on TV in election season, but more and more these days, we're also seeing ads for judicial candidates.

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In 1970, Warner Bros. Records had an unusual philosophy: they'd sign artists and, instead of wanting a hit single immediately, they'd develop them over several albums. This way, James Taylor, Joni Mitchell, Little Feat, and Randy Newman got big career boosts. They also took a chance on Captain Beefheart, and although neither a hit single nor a hit album resulted, some very interesting music did. Fresh Air rock historian Ed Ward has the story.

Clive James' most anthologized poem is commonly known by its first two lines: "The Book of My Enemy Has Been Remaindered/And I Am Pleased." Those lines tell the uninitiated almost all they need to know about the pleasures to be found in reading James: chief among them, his wit and his appreciation of the underlying absurdity of so much literary effort — including his own.

Since 2006, Laurie Pepper, the widow of jazz saxophonist Art Pepper, has been releasing live recordings her husband made during the last years of his life. A new batch of these recordings from 1981 is out. Fresh Air jazz critic Kevin Whitehead says that Art Pepper played like he was making up for lost time.

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