Performance Saturday

Saturdays, 7 p.m.

Each Saturday night, Texas Public Radio takes you to the stages of San Antonio and South Texas to hear the best in live classical music performance. Performance Saturday features both new and archive recordings from ensembles like the Heart of Texas Concert Band, the Mid-Texas Symphony, USAF Band of the West, and many others, as well as touring performers making their way through South Texas by way of the San Antonio Chamber Music Society, Tuesday Musical Club, and other performing arts organizations. When available, interviews with the artists provide additional context and insight into the performances and the music.

Following the 'concert' broadcast, host Nathan Cone shares music selections from the KPAC library, focusing on new releases.

Nathan Cone / TPR

A time limit. A saxophone quartet. And a blank sheet of paper. Three young composers recently took advantage of the opportunity to present their creations at the annual Jack Stone Award for New Music Concert, sponsored by the Alamo Colleges District - Northwest Vista College. The diverse sounds were brought to life by the Austin-based Bel Cuore Quartet, who reveled in the opportunity to debut new music to an appreciative audience on Tuesday, March 28.

Nathan Cone / TPR

The San Antonio International Piano Competition is more than their every-three-years contest; in between the big event, they hold recitals and sponsor young artists to encourage the appreciation of piano music and repertoire. Younggun Kim, who received special recognition at the 2012 competition, was in San Antonio on February 25, 2017 for a recital on the University of the Incarnate Word campus that dazzled the audience.

Nathan Cone / TPR

Two years ago, President Obama began softening U.S. relations with Cuba, and earlier this year, more travel restrictions were eased, allowing educational travel to the island nation which had been cut off from America for six decades. Matt Dunne, a professor at the University of Texas at San Antonio, saw an opportunity for him, and his students.

UMG

Each weekend on Performance Saturday, I enjoy sharing new releases following the “concert” broadcast portion of the program, and this fall, I’ve been sharing excerpts from soundtracks to films clouded in mystery. None of the scores are purely orchestral, and the distorted and sometimes frightening soundscapes of these albums make for some interesting car trips! (Listening while driving is pretty much the only way I get to do any extended sampling nowadays.)

Nathan Cone

Mezzo-soprano Julie Boulianne was forthright in the description of her recent recital for the Tuesday Musical Club.

“I’m from Quebec, we tell the truth no matter what!” she joked, before explaining that her program was made up largely of already-familiar-to-her repertoire because she’s in between debut roles in two different opera companies.

It was to the audience’s benefit, though. Boulianne possessed a beautiful control of her voice, both in melody and volume for the hall, Laurel Heights United Methodist Church.

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