Originally published on Wed March 19, 2014 9:57 am
In the '90s, Chile experienced an artistic wave as the children of political exiles returning after the fall of dictator Augusto Pinochet brought enormous changes. Of course, waves never come alone: They bring in shells and rocks and souvenirs from faraway lands. The returning children of exiles brought new cultural trinkets with them in the form of music, words and ideas they picked up as their parents roamed the earth, waiting to come back. That wave also brought in hip-hop, and Chile became a hot scene for the genre.
Originally published on Fri January 24, 2014 1:38 pm
The Chilean matron at the heart of the wonderfully unsettling comedy Gloria looks like any ordinary woman confronting the familiar dilemmas of late middle age. For other reasons, though, you may feel as though you've met her before.
It’s a music and arts event which has ties to something that happened long ago and far away. Chile’s Salvador Allende was overthrown in coup forty years ago. The Allende period, and its aftermath, has been marked with an unusual metric.
"There was a real soundtrack that went along with the rise of the Allende government," said Trinity University’s David Spener. "And its fall due to the military overthrow, and the long dictatorship that followed it. And that soundtrack was known as la nueva canción, the Chilean new song.”
In a scene from the film Violeta Went to Heaven, the Chilean singer Violeta Parra (played by Francisca Gavilán) walks through the countryside with her son Angel in search of a woman whose songs she wants to learn and record. Her son asks her, "What if we can't find this lady? Isn't she old?"