Visiting New York City is exhilarating. The hassle of air travel, the expense of the cabs and buses falls away and suddenly you are there, surrounded by familiar buildings, that great skyline beckoning, and people!
Jeffrey Biegel talks about his upcoming recital at the First Unitarian Universalist Church this Saturday. While the topics all had something to do with great music, some are a little off topic. Biegel first talks about his new passion, tweeting; @tprclassical subscribes to his tweets and he certainly has a lot to say - as do those that follow his remarks.
Two concerti plus variations make up this new Signum Classics disc
Pianist Alessio Bax is one of the most exciting young pianists today. His accolades include first prizes in the Leeds and Hamamatsu international piano competitions, as well as an Avery Fisher Career Grant. Alessio has just been named the 2013 recipient of the Andrew Wolf Chamber Music Award.
Pianist David Korevaar balances an active performance career as a soloist and chamber musician with teaching at the University of Colorado-Boulder. His latest release includes the Six Partitas for Keyboard by Johann Sebastian Bach.
Listen to David talk about how he chose these works and the difficulty of making beautiful music from a composer’s "little black dots."
On Saturday, February 9 there was a sold out crowd at the Boerne Performing Arts presentation of The 5 Browns. The piano quintet is comprised of five sibling Juilliard pianists, two brothers and three sisters.
Stephen Beus, a fellow Juilliard student of the Browns, sat in for Desirae, one of the sisters.
Since being dubbed the "Fab Five" by People Magazine, the group has been featured on Oprah, 60 Minutes, Good Morning America, Today, and The Tonight Show.
I remember reading a legendary performer once say that no two performances are alike. When I starting studying the piano I recorded some of my practice sessions to hear how I was playing without the distraction of making the music.
The great musician was right, not only were all my repetitions different, I couldn't make my performances sound the same if I tried.
I first heard Van Cliburn live in 1969. He played a concert at Austin's Municipal Auditorium, a barn of a place, to a sold-out audience. I was, in the vernacular of the time, blown away.
As soon as the concert was over, I rushed down from my balcony seat to wait in the long line of well wishers for my opportunity to have my program autographed. By this time, Mr. Cliburn had actually come down into the audience. He was, in a sense, a man of the people.