Opening at The Playhouse is a new production in which the open itself might seem a bit familiar: A woman in a restaurant -- and maybe this has happened to you -- someone’s phone keeps ringing and ringing.
“And she politely asks him to turn it off or answer it," said Andy Thornton, the director of "Dean Man's Cell Phone." But the guy in the restaurant doesn’t do it.
“So eventually she walks over to him and picks up his phone and she answers it,” Thornton said.
A new production is relying on some not-so-new actors. As someone who is gray-haired myself, I can call those actors not-so-new. Although many of them are new to acting itself. The program is called Golden Theater.
Christina Casella, the education outreach director at The Playhouse, said the program is basically theater classes for senior citizens.
The halls of Geekdom are normally filled with techies workshopping the next killer app or the next innovation in cloud computing. But this weekend there was a different type of brain storm at the downtown offices.
Asia Ciaravino, president of the San Antonio Playhouse, stood in front of a computer project screen as she pitched their big idea to expert entrepreneurs. Ciaravino and five other arts groups just went through the three-day startup process where they learned to re-think their approach to business.
This week I caught up with The Playhouse’s Asia Ciaravino for an overview of the remaining season, and a peek at the fall. By any measure it’s been a wild year for The Playhouse. After last May’s damaging spring thunderstorm, they’ve managed to fix the theater, then pull off an ambitious winter schedule in both of their theaters. Now comes their spring and summer schedule.
The Playhouse is tackling another classic and this time it's Stephen Sondheim's musical "Company."
" 'Company' is a delightful show about a man who is having his 35th birthday" said Playhouse CEO Asia Ciaravino. "And he basically looks at his life around him with all of his friends -- his married friends, his friends who are in different kinds of relationships -- and says, 'Is this what I want?' And it’s really a show that’s not connected by a story -- it’s connected through his memories."
The play is conceived and written around its central character, Bobby.
As if putting on large scale plays and musicals weren’t enough work, The Playhouse had to find a way to put itself back together after weather damage it suffered from a thunderstorm last May. A rain-damaged roof soaked through and ceiling plaster came raining down on the seats at their Russell Hill Rogers Theater.
As Playhouse CEO Asia Ciaravino notes, fixing a theater is tough work for people who just want to entertain you in one.